Memes in the Literature Studies Classroom

Narrative Works Pub Date : 2024-05-13 DOI:10.7202/1111279ar
Bryan Yazell, Anita Wohlmann
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Abstract

This paper considers memes through the lens of riddles and discusses the generative or creative aspect of the meme format as applied in the classroom. In a literary studies course on cultural narratives, ranging from canonical to bestselling fiction, we critically discussed the genre-specific potential of memes, which students were encouraged to explore both intellectually and experientially. In addition, we asked students to create memes in their assessment of the course. The results were highly ambivalent, ranging from humor to seriousness, self-critique to critique of the course, panic (regarding the final exam) to playful exaggeration of said panic. This ambivalence, often accentuated by irony and excess, challenges any definitive understanding of the memes’ content and meaning. Rather than dismissing memes as a flawed, imprecise tool, this article examines them as riddled forms and hypothesizes that, due to their ambivalence, they may actually be closer to a student’s “truth.” The connection between memes and meaning-making is especially relevant to courses that, like the one in this article, foreground semantic ambiguity and an explorative habitus.
文学研究课堂上的备忘录
本文从谜语的角度探讨了meme,并讨论了meme形式在课堂上应用的生成性或创造性方面。在一门关于文化叙事(从经典小说到畅销小说)的文学研究课程中,我们批判性地讨论了meme在特定体裁中的潜力,并鼓励学生从知识和经验两方面进行探索。此外,我们还要求学生在评估课程时创造memes。结果非常矛盾,既有幽默,也有严肃;既有自我批评,也有对课程的批评;既有恐慌(关于期末考试),也有对恐慌的俏皮夸张。这种矛盾性往往因反讽和过度而更加突出,对任何明确理解备忘录的内容和意义提出了挑战。本文并没有将备忘录视为有缺陷的、不精确的工具,而是将其视为千疮百孔的形式,并假设由于其矛盾性,它们实际上可能更接近学生的 "真相"。memes与意义生成之间的联系对于像本文这样强调语义模糊性和探索习惯的课程尤为重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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