The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family Memory

Genealogy Pub Date : 2024-05-14 DOI:10.3390/genealogy8020060
Andrew Milne
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Abstract

Society expects history to be objective and factual. Collectively history is the memory of the nation, that group, the imagined community that believes that it has always been together. It could even be said that the nation is about forgetting; forgetting that the people who make up that community were not always together as they are now, or the forgetting of those hurdles and hindrances that create obstacles to cohesion and continuity. Memory is collaborative by nature, and provides a legacy to society, a response to its own mortality in the future. This paper proposes to examine the case of subjective recounting of the past through a family memory of war, the forgetting, the gaps created in narratives to enable cohesion and to fit in with publicly acceptable discourse. It ultimately attempts to answer the question as to why it might be important to re-examine such stories of an individual nature, in a wider scope of the nation, and links those seemingly antinomic periods of time of past, present, and future, which are not as exclusive as might be believed. This paper focuses upon a deserter ancestor, going against the grain of traditional narratives. Traditionally, soldiers are considered by definition of what is expected from them in the national narrative, as ‘war heroes’. However, this paper examines the life of a military ancestor who, in reality, did not fit into that framework, and who deserted from the army (although never on the front line, thus avoiding being shot). Nevertheless, the multiple desertions (deserted five times in total, lost kit twice, was imprisoned, and was detained for desertion three times) only ‘resurfaced’ recently due to the availability of documentation and research carried out in archives. While the ancestor conformed socially to what was expected of him, the reality of his military files seems to reveal the contrary. Despite the high numbers of times that he did desert, he did also rejoin every time, and ended up spending 3 decades in the same military unit. Or, perhaps the manner in which society views soldiers pre- and post-WWI has been altered, and, as such, desertion was not once what it has become. Forgetting has been the norm in society regarding certain pasts that step outside of the national narrative, rather than remembering. This paper attempts to imagine the nation’s past in a different way, by including those who also deserted, an area of ill-defined research in military history.
遗忘的排版:在家庭记忆中重现逃兵的过程中对主流社会叙事的颠覆
社会期望历史是客观和真实的。就集体而言,历史是民族的记忆、群体的记忆、想象中的共同体的记忆,他们相信自己一直在一起。甚至可以说,民族就是遗忘;遗忘组成这个群体的人们并不总是像现在这样在一起,或者遗忘那些阻碍凝聚力和连续性的障碍。记忆的本质是协作性的,它为社会提供了一种遗产,是对未来自身死亡的一种回应。本文拟通过一个家庭的战争记忆、遗忘以及为增强凝聚力和符合公众接受的话语而在叙述中制造的空白,来研究主观叙述过去的案例。本文最终试图回答这样一个问题,即为什么在更广泛的国家范围内重新审视这些个人性质的故事可能很重要,并将过去、现在和未来这些看似对立的时间段联系起来,因为它们并不像人们所认为的那样相互排斥。本文的重点是一位逃兵的祖先,与传统的叙事方式背道而驰。传统上,士兵被定义为国家叙事中的 "战争英雄"。然而,本文研究的是一位军人祖先的生活,实际上,他并不符合这一框架,他从军队中开小差(尽管从未上过前线,从而避免了被枪毙)。然而,他的多次开小差经历(总共五次开小差、两次丢失装备、一次被监禁、三次因开小差而被拘留)直到最近才因档案中的文件和研究而 "重见天日"。虽然这位祖先在社会上符合人们对他的期望,但他的军事档案似乎揭示了相反的现实。尽管他开小差的次数很多,但他每次都重新入伍,并最终在同一部队中度过了三十年。或者,一战前和一战后社会看待士兵的方式已经发生了改变,因此,开小差的现象已经今非昔比。对于某些超越国家叙事的过去,遗忘已经成为社会的常态,而不是铭记。本文试图以一种不同的方式来想象国家的过去,将那些同样是逃兵的人纳入其中,这是军事史研究中一个定义不清的领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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