Collaborative Visual Scores

Gemma Thompson
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Abstract

This research seeks to explore the process of etching as a method for investigating shared experiences and collaboration between artists from different disciplines. The aim is to focus on the overlapping language that exists between mark-making and musical composition and to investigate how one informs the other. The research focuses on the creation of three scores, each created on a steel etching plate. Each score was sent to a musician for their sonic response. For this first series, I invited the saxophonist Patrick Shiroishi (US), the guitarist Sam Sherry (UK/NZ), and vocalist Adam Sherry (UK/NZ) to take part. My scores contain my interpretations of the environment, or journey, developed through the practice of soundwalking. The musicians enter into the project as collaborators, and the work is not complete without their sonic response. In this collaborative score project, I wanted to create a dialogue or ‘relationship’ between myself and other musicians by exchanging a score for a recorded response. I feel like this initial experiment was successful, and this approach has given me many ideas on how to develop this project for the future.
合作视觉评分
这项研究旨在探索蚀刻工艺,将其作为研究不同学科艺术家之间共享经验与合作的一种方法。其目的是关注标记制作与音乐创作之间存在的重叠语言,并研究两者如何相互启发。研究重点是创作三张乐谱,每张乐谱都是在钢制蚀刻板上创作的。每张乐谱都发给一位音乐家,请他们做出声音反应。在第一个系列中,我邀请了萨克斯演奏家 Patrick Shiroishi(美国)、吉他演奏家 Sam Sherry(英国/新西兰)和歌唱家 Adam Sherry(英国/新西兰)参与其中。我的乐谱包含我对环境或旅程的诠释,这些诠释是通过声音漫步实践形成的。音乐家们以合作者的身份参与到项目中,没有他们的声音回应,作品是不完整的。在这个合作乐谱项目中,我想通过用乐谱换取录音回应的方式,在我和其他音乐家之间建立一种对话或 "关系"。我觉得最初的尝试是成功的,这种方法为我今后如何发展这一项目提供了许多思路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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