{"title":"Staging Material Encounters","authors":"Helen Elizabeth Mann","doi":"10.54632/1305.impj15","DOIUrl":null,"url":null,"abstract":"This paper outlines and reflects upon a recent period of practice-based research into the human and more-than-human relationship at this critical time for life on Earth. Drawing on ideas from within the field of human trauma, which describe how remnants of traumatic experiences become trapped within the body as sensations, pain, processes, and cancers, completely cut off from the original experiences that contributed to their formation, the research was centred around the concept of Earth as an expressive archive of valuable information about the way it has been treated and related to. Like Van Der Kolk’s human body (Van Der Kolk, 2015), the Earth in this context “keeps the score”. Notions of extractivism, objectification and othering, along with ideas around ‘separation sickness’, describing the ‘cultural trauma’ of intergenerational disconnection from ourselves and the land (Rust, 2020), form the backdrop to the research. \nA variety of starting points fed into the work, impacting upon one another in rich, diverse, and complex ways. Printmaking processes were utilised throughout as both research tools and within more resolved works. The paper is a series of reflections, not necessarily chronological or complete, but rather a snapshot of key ideas, questions, processes, and directions.","PeriodicalId":486968,"journal":{"name":"IMPACT Printmaking Journal","volume":"37 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"IMPACT Printmaking Journal","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.54632/1305.impj15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This paper outlines and reflects upon a recent period of practice-based research into the human and more-than-human relationship at this critical time for life on Earth. Drawing on ideas from within the field of human trauma, which describe how remnants of traumatic experiences become trapped within the body as sensations, pain, processes, and cancers, completely cut off from the original experiences that contributed to their formation, the research was centred around the concept of Earth as an expressive archive of valuable information about the way it has been treated and related to. Like Van Der Kolk’s human body (Van Der Kolk, 2015), the Earth in this context “keeps the score”. Notions of extractivism, objectification and othering, along with ideas around ‘separation sickness’, describing the ‘cultural trauma’ of intergenerational disconnection from ourselves and the land (Rust, 2020), form the backdrop to the research.
A variety of starting points fed into the work, impacting upon one another in rich, diverse, and complex ways. Printmaking processes were utilised throughout as both research tools and within more resolved works. The paper is a series of reflections, not necessarily chronological or complete, but rather a snapshot of key ideas, questions, processes, and directions.
在地球生命的这一关键时刻,本文概述并反思了最近一段时期对人类与 "超人类 "关系的实践研究。人类创伤领域描述了创伤经历的残余如何以感觉、疼痛、过程和癌症的形式被困在身体内,与导致其形成的原始经历完全隔绝。与 Van Der Kolk 的人体(Van Der Kolk,2015 年)一样,地球在这种情况下也 "记着账"。榨取主义、物化和他者化的概念,以及围绕 "分离病 "的观点,描述了代际之间与我们自己和土地脱节的 "文化创伤"(Rust,2020 年),构成了研究的背景。作品的出发点多种多样,以丰富、多样和复杂的方式相互影响。版画工艺在整个研究过程中都得到了应用,既是研究工具,也是更有决定性的作品。本文是一系列反思,不一定按时间顺序排列,也不一定完整,而是关键想法、问题、过程和方向的缩影。