The Séance of Reading. Uncanny Designs in Modernist Writing by Professor Thomas Cousineau

Q3 Arts and Humanities
Sorin Ciutacu
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引用次数: 0

Abstract

Professor Cousineau demonstrates an impressive original scholarly kind of comprehension of modernist texts, submitting them under scrutiny with an archetypal critical lens and thus reveals “the uncanny return of the Manole Complex in nine masterpieces of literary modernism”. The intellectual spark that inspired Professor Cousineau was Mircea Eliade’s Commentaires sur la Légende de Maître Manole where Eliade’s claims that Manole’s wife does not actually die: “She is, rather, transformed; her soul leaves her body of flesh and bones and goes to live in the stone and plaster body of the monastery”. (Eliade, 1994, p.168) In each of the chapters of the volume under discussion, the author further elaborates on Eliade’s concept of architectural body, finding it under sundry metamorphoses in the iconic literary modernist works from Europe and USA.
阅读的降神会托马斯-库西诺教授的《现代主义写作中的不可思议设计
Cousineau 教授对现代主义文本的原创性学术理解令人印象深刻,他以原型批评的视角对这些文本进行了审视,从而揭示了 "九部现代主义文学杰作中马诺情结的不可思议的回归"。激发 Cousineau 教授灵感的思想火花是 Mircea Eliade 的《Commentaires sur la Légende de Maître Manole》,其中 Eliade 声称,Manole 的妻子实际上并没有死:"相反,她被转化了;她的灵魂离开了她的骨肉之躯,进入修道院的石头和石膏躯体中生活"。(Eliade, 1994, p.168)在本卷的各章中,作者进一步阐述了埃利亚德的建筑体概念,发现它在欧洲和美国的标志性现代主义文学作品中经历了各种蜕变。
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来源期刊
Swedish Journal of Romanian Studies
Swedish Journal of Romanian Studies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
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