Eminescu and Kabbalah

Q3 Arts and Humanities
Andrei Victor Cojocaru
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引用次数: 0

Abstract

In the pages of this article, we will bring together a series of interpretations of Eminescu’s writings that prove the influence of the mysticism of Kabbalah on the great Romanian author. The understanding of Eminescu’s poems through the lens of Kabbalah is a perspective adopted by several scholars. For example, starting with G. Călinescu, Hyperion (from the poem “Luceafărul”) was compared to a sefirah. Since the influences of the Far East seem to be much more significant in the literary context in question, we will start from them and, later, correlate them with elements from the ideological background of Near Eastern mysticism. We will also point out certain aspects of the symbolism of the elements and, above all, of water – which is, ultimately, an emblem of the primordial space from which existence is born. Thus, starting from the perspective of Gaston Bachelard’s poetics of the elements, we will investigate the correlation with the mysterious Ain Soph of Kabbalah.
埃米内斯库与卡巴拉
在本文中,我们将汇集对埃米内斯库作品的一系列解读,以证明卡巴拉神秘主义对这位罗马尼亚伟大作家的影响。通过卡巴拉的视角来理解埃米内斯库的诗歌是多位学者采用的观点。例如,从 G. Călinescu 开始,Hyperion(出自诗歌 "Luceafărul")被比作 "sefirah"。由于远东的影响在相关文学作品中似乎更为重要,我们将从远东的影响入手,随后再将其与近东神秘主义的意识形态背景中的元素联系起来。我们还将指出元素象征意义的某些方面,尤其是水的象征意义--归根结底,水是原始空间的象征,而存在正是从原始空间中诞生的。因此,我们将从加斯东-巴谢拉(Gaston Bachelard)的元素诗学角度出发,研究与卡巴拉神秘的艾因-索菲(Ain Soph)之间的关联。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Swedish Journal of Romanian Studies
Swedish Journal of Romanian Studies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
25
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