“‘As In Life, So in Drama’: COVID, the NHS and the ‘Very Special’ Return of Casualty”

IF 2.4 2区 文学 Q1 COMMUNICATION
Hannah Hamad
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引用次数: 0

Abstract

In January 2021 the BBC continuing medical drama Casualty (1986-present) returned to UK television screens for the start of its thirty-fifth series, with the premiere serving as the first episode of the show to have been produced and broadcast since the onset of the COVID-19 pandemic caused production to stop suddenly in March 2020. It was, in many ways, a “Very Special Episode,” and not least because it was the first new episode of the series to be seen by audiences for four months. Set during spring and summer of 2020, the episode begins with a title card that reads “June 2020. Days into the lockdown: 90.” This article takes the position that this first episode of Casualty to screen on UK television following the March 2020 production shutdown (Ritman 2020) is productively understood as a “Very Special Episode” (VSE), with a view to arguing for its status as quietly radical television.
"生活如此,戏剧亦然:COVID、国家医疗服务体系和《伤员》的'特别'回归"
2021 年 1 月,BBC 连续医疗剧《伤员》(Casualty,1986 年至今)重返英国电视荧屏,开始播出第三十五集,首播集是该剧自 2020 年 3 月 COVID-19 大流行导致制作突然停止以来制作和播出的第一集。从很多方面来说,这都是一部 "非常特别的剧集",尤其是因为这是四个月来观众们看到的第一部新剧集。这一集的故事发生在 2020 年的春天和夏天,开头的标题卡上写着 "2020 年 6 月。进入封锁状态的天数:90."本文认为,《伤亡》在 2020 年 3 月停产(Ritman 2020)后在英国电视台播出的第一集可理解为 "非常特别的一集"(Very Special Episode,VSE),以论证其作为悄然激进电视的地位。
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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