{"title":"“‘As In Life, So in Drama’: COVID, the NHS and the ‘Very Special’ Return of Casualty”","authors":"Hannah Hamad","doi":"10.1177/15274764241251763","DOIUrl":null,"url":null,"abstract":"In January 2021 the BBC continuing medical drama Casualty (1986-present) returned to UK television screens for the start of its thirty-fifth series, with the premiere serving as the first episode of the show to have been produced and broadcast since the onset of the COVID-19 pandemic caused production to stop suddenly in March 2020. It was, in many ways, a “Very Special Episode,” and not least because it was the first new episode of the series to be seen by audiences for four months. Set during spring and summer of 2020, the episode begins with a title card that reads “June 2020. Days into the lockdown: 90.” This article takes the position that this first episode of Casualty to screen on UK television following the March 2020 production shutdown (Ritman 2020) is productively understood as a “Very Special Episode” (VSE), with a view to arguing for its status as quietly radical television.","PeriodicalId":51551,"journal":{"name":"Television & New Media","volume":"7 1","pages":""},"PeriodicalIF":2.4000,"publicationDate":"2024-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Television & New Media","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/15274764241251763","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
In January 2021 the BBC continuing medical drama Casualty (1986-present) returned to UK television screens for the start of its thirty-fifth series, with the premiere serving as the first episode of the show to have been produced and broadcast since the onset of the COVID-19 pandemic caused production to stop suddenly in March 2020. It was, in many ways, a “Very Special Episode,” and not least because it was the first new episode of the series to be seen by audiences for four months. Set during spring and summer of 2020, the episode begins with a title card that reads “June 2020. Days into the lockdown: 90.” This article takes the position that this first episode of Casualty to screen on UK television following the March 2020 production shutdown (Ritman 2020) is productively understood as a “Very Special Episode” (VSE), with a view to arguing for its status as quietly radical television.
期刊介绍:
Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.