{"title":"Long Sleeves","authors":"Kanak Kapur","doi":"10.1353/sew.2024.a926958","DOIUrl":null,"url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\n<p> <ul> <li><!-- html_title --> Long Sleeves <!-- /html_title --></li> <li> Kanak Kapur (bio) </li> </ul> <p><strong>O</strong>n New Year’s Eve, we left Sai’s house wearing jeans and something with long sleeves. Inside the cab, we took off our shirts and wrapped them around our waists. Underneath we had on our party clothes: skintight tops shoplifted the weekend prior from an overflowing sale bin. It was Sai’s job to confirm the night’s address with our driver. She placed her elbow on the center console and leaned toward the man before speaking to him. I was shy, unwelcoming to strangers, but she was boastful, a wild dancer, nuclear and winged. In loose, rapid Urdu, she asked: “Brother, you know where to go or no?”</p> <p>The sleeves were Sai’s idea. She thought them up the year before, when we got in trouble with her mother the last time we dressed like this. We had returned home too late from another party, where we’d been drenched in the rain. Afraid of the consequences, we stood on the porch, damp locks of hair pasted to our foreheads. From the window, we’d seen Sai’s mother in the living room with a stack of household bills, a highlighter in hand. Shamefaced, we entered and made our false apologies. I kept my arms folded high <strong>[End Page 201]</strong> across my chest, covering the white blouse I’d worn specifically for what it made of my boobs, which had recently and miraculously plumped to significance. Sai had on one of those bandage dresses that used to be popular, which, in her mother’s words, put her every organ on display. Sita Aunty was always afraid of men, and though we didn’t know it yet, she’d passed the fear down to us, where it would remain, distantly flickering and translucent, until every so often, in what would become our separate lives, we’d hear a story or encounter a man who matched the severity of these phantoms we knew Sita Aunty was afraid of. “What have I taught you?” she asked us that night, her voice slipping from its composure. “Do you want to get raped?” She threw the highlighter across the living room, the cap clattering away from the pen.</p> <p>In the taxi, I saw that Sai’s top showed off her new belly- button ring, a gift she’d given herself for her sixteenth birthday. Alone, she’d traveled to the one underground tattoo shop in the city. I was shocked when she told me. For years I’d remember how she called me to an empty corner of the hallway between classes, how she lifted the lip of her shirt, revealing a warm, reddened puncture of skin. The charm on the ring was a tiny, diamond-studded letter. <em>J</em>, for <em>Jiya</em>, my name.</p> <p>The piercing made her look older than she was. In the shadowy backseat, I watched her, wondering if she would kiss me that night. Kissing Sai was a thing of luck. It didn’t always happen in public unless people asked to see, unless there was a crowd of boyish voices to cheer. I was still trying to understand the shape our bodies made when we swung an arm over the other in bed, or when her eyes lingered on the bottom half of my face when we talked. It didn’t always produce the same swell of pelvic rush as with boys, but there was something else ashimmer within me, and happy-making.</p> <p>The first time still rang in my memory, sharp as a desert shell. We were in her bedroom, Sita Aunty clattering pots downstairs. A <strong>[End Page 202]</strong> patch of Sai’s sticky lip gloss burned my chin. I didn’t rub it off for fear that I would never feel it again.</p> <p>Outside, it was strangely humid for December, which was accompanied by the faint smell of wood dust, and then we heard it—a saw running somewhere, a few streets over, or in an old memory. We passed a construction zone where men in yellow hats waited for a night bus, their white shirts stained with the day’s dirt. On nearby streets were circles of identical houses built...</p> </p>","PeriodicalId":43824,"journal":{"name":"SEWANEE REVIEW","volume":"43 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SEWANEE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sew.2024.a926958","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY REVIEWS","Score":null,"Total":0}
引用次数: 0
Abstract
In lieu of an abstract, here is a brief excerpt of the content:
Long Sleeves
Kanak Kapur (bio)
On New Year’s Eve, we left Sai’s house wearing jeans and something with long sleeves. Inside the cab, we took off our shirts and wrapped them around our waists. Underneath we had on our party clothes: skintight tops shoplifted the weekend prior from an overflowing sale bin. It was Sai’s job to confirm the night’s address with our driver. She placed her elbow on the center console and leaned toward the man before speaking to him. I was shy, unwelcoming to strangers, but she was boastful, a wild dancer, nuclear and winged. In loose, rapid Urdu, she asked: “Brother, you know where to go or no?”
The sleeves were Sai’s idea. She thought them up the year before, when we got in trouble with her mother the last time we dressed like this. We had returned home too late from another party, where we’d been drenched in the rain. Afraid of the consequences, we stood on the porch, damp locks of hair pasted to our foreheads. From the window, we’d seen Sai’s mother in the living room with a stack of household bills, a highlighter in hand. Shamefaced, we entered and made our false apologies. I kept my arms folded high [End Page 201] across my chest, covering the white blouse I’d worn specifically for what it made of my boobs, which had recently and miraculously plumped to significance. Sai had on one of those bandage dresses that used to be popular, which, in her mother’s words, put her every organ on display. Sita Aunty was always afraid of men, and though we didn’t know it yet, she’d passed the fear down to us, where it would remain, distantly flickering and translucent, until every so often, in what would become our separate lives, we’d hear a story or encounter a man who matched the severity of these phantoms we knew Sita Aunty was afraid of. “What have I taught you?” she asked us that night, her voice slipping from its composure. “Do you want to get raped?” She threw the highlighter across the living room, the cap clattering away from the pen.
In the taxi, I saw that Sai’s top showed off her new belly- button ring, a gift she’d given herself for her sixteenth birthday. Alone, she’d traveled to the one underground tattoo shop in the city. I was shocked when she told me. For years I’d remember how she called me to an empty corner of the hallway between classes, how she lifted the lip of her shirt, revealing a warm, reddened puncture of skin. The charm on the ring was a tiny, diamond-studded letter. J, for Jiya, my name.
The piercing made her look older than she was. In the shadowy backseat, I watched her, wondering if she would kiss me that night. Kissing Sai was a thing of luck. It didn’t always happen in public unless people asked to see, unless there was a crowd of boyish voices to cheer. I was still trying to understand the shape our bodies made when we swung an arm over the other in bed, or when her eyes lingered on the bottom half of my face when we talked. It didn’t always produce the same swell of pelvic rush as with boys, but there was something else ashimmer within me, and happy-making.
The first time still rang in my memory, sharp as a desert shell. We were in her bedroom, Sita Aunty clattering pots downstairs. A [End Page 202] patch of Sai’s sticky lip gloss burned my chin. I didn’t rub it off for fear that I would never feel it again.
Outside, it was strangely humid for December, which was accompanied by the faint smell of wood dust, and then we heard it—a saw running somewhere, a few streets over, or in an old memory. We passed a construction zone where men in yellow hats waited for a night bus, their white shirts stained with the day’s dirt. On nearby streets were circles of identical houses built...
期刊介绍:
Having never missed an issue in 115 years, the Sewanee Review is the oldest continuously published literary quarterly in the country. Begun in 1892 at the University of the South, it has stood as guardian and steward for the enduring voices of American, British, and Irish literature. Published quarterly, the Review is unique in the field of letters for its rich tradition of literary excellence in general nonfiction, poetry, and fiction, and for its dedication to unvarnished no-nonsense literary criticism. Each volume is a mix of short reviews, omnibus reviews, memoirs, essays in reminiscence and criticism, poetry, and fiction.