In lieu of an abstract, here is a brief excerpt of the content:
Maze, and: Maze, and: Maze
Richie Hofmann (bio)
Maze
Room of flowers, room of hunger: the hoursI could sleep inside.
There was something I wanted my life to be. Roomin which I possessed someone
and was in turn possessed.Rooms in which I reached for a man, even when he
was with someone else. Once I was so scared,I slept in my shoes.
Another time, I stood knee-deepin chlorinated water and thought I’d be lost
forever: the graffiti unintelligible, the smell of cigarettes, the foreign tongues. [End Page 289]Still, the jets of the whirlpool pulsated. I dried off; I made the damp towel a pillow.
The crowded roomsof the bars made them cool. Young people were shouting
into my ears. I was growing up,like them and not
like them. In the tall mirror,I could see my back.
Was thishow I was going to live? I took long baths
in quiet rooms. Room of jealousy,room of flowers—sometimes I felt pulled forward
as if a perfect leashwere guiding me. Other times from behind, knuckles nudging
the small of my back, urging me deeper in pajama bottoms
toward other rooms. [End Page 290]
Maze
Horny, half-mad, the smell of old flowers encases
this man’s roomlike an anonymous tomb—miracle
to be aliveand then to die. In the thick of an island thick
with a history that belongs toeveryone and no one,
feral goats shit and mate and clamber in dust, kicking it up.
Don’t you hate animals? Don’t you hate being an animal?
His animal? Still it feels good when the sun comes up [End Page 291] and warms the bedlike the cold surface of the ancient ocean.
And by mid-day, no shade anywhere.When did the flowers first die?
When did they stop drinking water from the vase? Water-colored linen
when nights are spent nakedand animal-like
in his arms, entrapped by sleep, human sleep, sleep
which separates me from lover and also from self. So obedient. [End Page 292]
Maze
The streetlamps made the leaves black. The night is a place of initiation.
Virgins get fed to it. Beaches and ruins. Skeletal buildings.
The trees were youngbut the marble was old. My jaw hurt.
I was young but my dream was old. A force
was galloping toward me. I took a bus, a bus with locked windows
to get here. The thing I looked for—I knew him by his beard.
My skin touched by his mouth— saliva, cooked meat, red wine. [End Page 293]
Back home, the kids were cruel to me. When I was happy they called me
a faggotto puncture that happiness. I was holding a rope
walking down to the unlit beach.I could hear grown men yelping. I hid my glasses
in a bathing suit pocket. The thing I was looking for— he was an animal
who followed me. The lovera faceless presence. But
I saw his face.His watch-face glowed. When he saw I was bleeding
in my ugly sandals,he said, You can go home, I won’t hurt you. [End Page 294]
Richie Hofmann
Richie Hofmann is the author of two collections of poems, Second Empire and A Hundred Lovers.
期刊介绍:
Having never missed an issue in 115 years, the Sewanee Review is the oldest continuously published literary quarterly in the country. Begun in 1892 at the University of the South, it has stood as guardian and steward for the enduring voices of American, British, and Irish literature. Published quarterly, the Review is unique in the field of letters for its rich tradition of literary excellence in general nonfiction, poetry, and fiction, and for its dedication to unvarnished no-nonsense literary criticism. Each volume is a mix of short reviews, omnibus reviews, memoirs, essays in reminiscence and criticism, poetry, and fiction.