"The things I see from here, you don’t see from there": Promoting multicultural awareness in a diverse society by intercultural encounters in two museum spaces

IF 2.4 2区 社会学 Q2 PSYCHOLOGY, SOCIAL
Vered Heruti , Athar Haj Yahya
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Abstract

Encounters with artworks in museum spaces are interactive processes that interweave physical, personal, and sociocultural contexts. This qualitative case study addresses an additional context – a multicultural one – in examining the impact of two contemporary art museum spaces associated with different cultures on the emerging awareness of multiculturalism in intercultural encounters. The study examines a “Multicultural Museum Dialogue” course attended by Palestinian-Arab and Jewish-Israeli undergraduate students of art and art education in college in Israel. Trained in co-teaching bilingual instruction, the college students led Palestinian-Arab and Isreli-Jewish high school youth in artwork encounters at the Herzliya Museum of Contemporary Art (Jewish-Israeli majority culture) and the Umm al-Fahm Art Gallery (Palestinian-Arab minority culture). Analysis of twelve semi-structured interviews with students of both groups indicated that both characterized the museum space as fertile ground for intercultural encounters and diverse interpretive discourse that raised multicultural awareness as well as a universal human perspective. This effect was most powerful at the Umm al-Fahm Art Gallery, visited second. Nevertheless, additional training appears needed to further expand students’ multicultural awareness. Following Banks' (2009) and Chin’s (2013) five dimensions of multicultural education and art education, this research suggests a sixth – learning in diverse cultural spaces. To enhance cultural awareness, we recommend developing multicultural educational curricula that include joint active learning in cross-cultural spaces (e.g., art museums), focusing on physical egalitarian encounters and interpersonal and intergroup dynamics that consider power relations.

"我在这里看到的东西,你在那里看不到":通过在两个博物馆空间中的跨文化接触,在多元化社会中提高多元文化意识
在博物馆空间与艺术品的相遇是一个互动的过程,交织着物理、个人和社会文化背景。本定性案例研究探讨了另一种背景--多元文化背景--研究了两个与不同文化相关的当代艺术博物馆空间对跨文化接触中新出现的多元文化意识的影响。本研究考察了以色列大学艺术和艺术教育专业的巴勒斯坦-阿拉伯和犹太-以色列本科生参加的 "多元文化博物馆对话 "课程。这些大学生接受过双语共同教学的培训,他们带领巴勒斯坦裔阿拉伯人和以色列裔犹太人高中生在赫兹利亚当代艺术博物馆(犹太-以色列多数文化)和乌姆法姆艺术馆(巴勒斯坦-阿拉伯少数民族文化)进行艺术品交流。对两组学生进行的 12 次半结构式访谈分析表明,两组学生都认为博物馆空间是跨文化交 流的沃土,也是提高多元文化意识和人类普遍视角的多样化阐释话语的沃土。在第二个参观的 Umm al-Fahm 美术馆,这种效果最为显著。然而,似乎还需要更多的培训来进一步提高学生的多元文化意识。根据 Banks(2009 年)和 Chin(2013 年)提出的多元文化教育和艺术教育的五个维度,本研究提出了第六个维度--在多元文化空间中学习。为了增强文化意识,我们建议开发多元文化教育课程,其中包括在跨文化空间(如艺术博物馆)中共同积极学习,重点关注平等的身体接触以及考虑到权力关系的人际和群体间动态。
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来源期刊
CiteScore
4.30
自引率
14.30%
发文量
122
期刊介绍: IJIR is dedicated to advancing knowledge and understanding of theory, practice, and research in intergroup relations. The contents encompass theoretical developments, field-based evaluations of training techniques, empirical discussions of cultural similarities and differences, and critical descriptions of new training approaches. Papers selected for publication in IJIR are judged to increase our understanding of intergroup tensions and harmony. Issue-oriented and cross-discipline discussion is encouraged. The highest priority is given to manuscripts that join theory, practice, and field research design. By theory, we mean conceptual schemes focused on the nature of cultural differences and similarities.
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