“How to Save a Life”: On Grey’s Anatomy and the Logics of Televisual Alleviation in a Time of Crisis

IF 2.4 2区 文学 Q1 COMMUNICATION
Brandy Monk-Payton
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引用次数: 0

Abstract

This article examines the representation of the COVID-19 global public health crisis on U.S. network television medical dramas. Programs featuring healthcare professionals like Chicago Med (NBC, 2015-present), The Good Doctor (ABC, 2017–2024), and New Amsterdam (NBC, 2018–2023) depicted the devastation of the pandemic and the plight of the frontline healthcare community to viewers at home through the fictional hospital. In particular, Grey’s Anatomy (ABC, 2005–present) produced a “very special season” dedicated to portraying COVID’s toil. I argue that the primetime doctor show attempted to lessen the pain of COVID’s impact by presenting its audience-as-patient with a way to manage their emotions around loss through narrative catharsis. The program adheres to a logic of alleviation in its care work for viewers. Such a tele-therapeutic strategy of engagement on the long-running Grey’s Anatomy, amidst mass suffering and death, also served to revive the series as compelling broadcast television in the streaming era.
"如何拯救生命关于《实习医生格蕾》和危机时期的电视救助逻辑
本文研究了美国网络电视医疗剧中对 COVID-19 全球公共卫生危机的表现。芝加哥医疗》(Chicago Med,NBC,2015 年至今)、《好医生》(The Good Doctor,ABC,2017-2024 年)和《新阿姆斯特丹》(NBC,2018-2023 年)等以医护人员为主角的节目通过虚构的医院向国内观众描述了大流行病的破坏力和一线医护人员的困境。特别是《实习医生格蕾》(ABC,2005 年至今)制作了 "非常特别的一季",专门描述 COVID 的辛劳。我认为,这档黄金时段的医生节目试图减轻 COVID 所带来的痛苦,通过叙事宣泄的方式,向作为病人的观众展示了一种管理失去亲人情绪的方法。节目在对观众的关怀工作中坚持了一种减轻痛苦的逻辑。在长期播放的《实习医生格蕾》(Grey's Anatomy)中,在大规模的痛苦和死亡中,这种远程治疗的参与策略也使该剧在流媒体时代重新成为引人注目的广播电视。
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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