The visual representation of Ukrainian and Afghan refugees in the Spanish press

Antonio Prieto-Andrés, Cayetano Fernández, Alma López-Avilés
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Abstract

The public’s understanding of the situation of refugees largely depends on how they are represented by the media. This article analyses this representation by studying photographs that appear in four mainstream Spanish newspapers of varied political orientation, comparing two paradigmatic examples: that of Afghan refugees versus Ukrainian refugees. The objective of this analysis is to determine the differences and similarities between how each case is covered, using a mixed quantitative and qualitative content analysis method to determine the images’ denotative and connotative aspects, based on ‘framing theory’. Findings show that, although all the refugees are presented primarily from a human-interest angle, there is a significant degree of depersonalization in their photographic presentation due to the framing and stylistic elements employed. Also, Afghans are viewed with greater suspicion than Ukrainians, with a quarter of their images being associated with the idea of conflict.
西班牙新闻界对乌克兰和阿富汗难民的形象描述
公众对难民状况的理解在很大程度上取决于媒体对他们的描述。本文通过研究四家不同政治倾向的西班牙主流报纸上刊登的照片,比较阿富汗难民和乌克兰难民这两个典型案例,对这种表现形式进行分析。分析的目的是根据 "框架理论",采用定量和定性内容分析相结合的方法,确定图片的指称和内涵方面,从而确定每个案例在报道方式上的异同。研究结果表明,尽管所有难民都主要从人文关怀的角度进行报道,但由于所采用的构图和风格元素,他们的照片在很大程度上被非人格化了。此外,阿富汗人比乌克兰人受到更多的怀疑,他们四分之一的图片都与冲突的概念有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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