The Influence of Western Drama on Contemporary African Drama

Osameka Oyindamola Mercy, Eze Mabel Nkechinyere
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Abstract

African drama is generally believed to find its roots in the tradition and culture of the African society such as the celebration of the new yam festival (festivity) the display of masquerade, religious rituals, and the moonlight story (storytelling) therefore, African drama has been in existence before the emergence of the colonialism, African drama existed in form of action, through music and dance that was ritualized to express emotions such as terror, passion, and love. These actions were imitations of what the people wanted to happen so if they wanted to kill an enemy they would act out the process, religious and magical rituals were used and combined with dance and songs, with the emergence of Western drama which was brought through colonization, African drama became modernized to scripting of drama, use of language satirical plays, use of a curtain, theatre of the absurd, during colonialism, African drama such as the religious ritual was seen as a barbaric act by the colonial masters. The influence of this Western drama on African drama gave birth to what we call contemporary African drama. As we read the background and other parts of this paper we will understand the influence of Western drama on contemporary African drama.
西方戏剧对当代非洲戏剧的影响
一般认为,非洲戏剧起源于非洲社会的传统和文化,如庆祝新山药节(节庆活动)、化妆舞会、宗教仪式和月光故事(讲故事),因此,非洲戏剧在殖民主义出现之前就已经存在。非洲戏剧以动作的形式存在,通过音乐和舞蹈的仪式化来表达恐怖、激情和爱等情绪。随着殖民主义带来的西方戏剧的出现,非洲戏剧开始现代化,出现了戏剧剧本、语言讽刺剧、幕布、荒诞剧等。这种西方戏剧对非洲戏剧的影响催生了我们所说的当代非洲戏剧。通过阅读本文的背景和其他部分,我们将了解西方戏剧对当代非洲戏剧的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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