On Collaboration

Pub Date : 2024-04-01 DOI:10.1162/octo_a_00506
Colby Chamberlain
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Abstract

Abstract “On Collaboration” attempts to situate the withdrawal of support from the magazine Artforum (precipitated by the firing of its editor-in-chief David Velasco in October 2023) within a longer history of institutional antagonism. It compares strategies of opposition available to the avant-garde and counterculture in the 1960s (as exemplified by Fluxus's George Maciunas and the novelist Thomas Pynchon) with those that emerged in the 1970s, with particular attention paid to the machinery that sustained the appearance of the art world and, more broadly, the public sphere. Citing Vito Acconci's contributions to the exhibition ROOMS P.S. 1 (1976), it argues that much of what has been historically recognized as strategies of institutional opposition from the 1970s onward, including institutional critique and the alternative space movement, might be better understood within a framework of “institutional collaboration.”
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关于合作
摘 要 "论合作 "试图将撤出对《艺术论坛》杂志的支持(因该杂志主编大卫-贝拉斯科于2023年10月被解雇而引发)置于更长的机构对立历史之中。该书比较了20世纪60年代先锋派和反主流文化(以Fluxus的George Maciunas和小说家Thomas Pynchon为例)与20世纪70年代出现的反对策略,特别关注了维持艺术世界外观的机制,以及更广泛意义上的公共领域。该书引用了维托-阿康奇(Vito Acconci)为展览 "ROOMS P.S. 1"(1976 年)所做的贡献,认为从 20 世纪 70 年代开始,许多历史上被认为是机构反对策略的东西,包括机构批判和替代空间运动,或许可以在 "机构合作 "的框架内得到更好的理解。
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