Playing With Ancestors: Writing as an Act of Vulnerable Listening

Shagun Singha
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Abstract

This paper explores the possibilities of engaging in playful interactions with ancestral forces, expanding the boundaries of academic writing. Specifically, it examines the interplay between writing and inquiry, emphasizing play as a means of communion with both human and nonhuman ancestors, fostering vulnerable listening within academic discourse. Departing from conventional productivity-centric writing approaches, the paper advocates for a paradigm wherein writing responds to curiosity, evoking play, and imagination, while also embracing experimentation and learning. This conceptual shift envisions writing as a dynamic companion, extending its engagement beyond human ancestors through a posthuman theoretical perspective. Similar to play, writing emerges from interactive experiences, offering a conduit for establishing profound connections with the external world. Engaging with ancestral figures through playful frameworks necessitates embodied practice, encompassing sensory, emotional, and sociocultural dimensions. The paper employs practices of storytelling, metaphors, and nonlinear narratives in an exploration of three nonhuman ancestors in particular: moths, ladders, and trees.
与祖先玩耍写作是一种脆弱的倾听行为
本文探讨了与祖先的力量进行游戏性互动的可能性,拓展了学术写作的边界。具体而言,本文探讨了写作与探究之间的相互作用,强调游戏是与人类和非人类祖先交流的一种手段,在学术话语中培养脆弱的倾听。与传统的以生产率为中心的写作方法不同,本文倡导一种写作范式,即写作要回应好奇心、唤起游戏和想象力,同时还要接受实验和学习。这种概念上的转变将写作视为一种动态的伴侣,通过后人类理论视角将写作的参与延伸到人类祖先之外。与游戏类似,写作产生于互动体验,为与外部世界建立深刻联系提供了渠道。通过游戏框架与祖先人物接触需要身体力行的实践,包括感官、情感和社会文化层面。本文采用了讲故事、隐喻和非线性叙事等实践方法,特别探讨了三个非人类祖先:飞蛾、梯子和树。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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