The Image of the Artist in the Media Space. The Relationship Between Media and Art During COVID-19

Prolet Trifonova Petkova
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Abstract

In line with the trends in communication in social networks, cultural institutes, and organizations follow the basic rules of digital PR and break them through the specifics of the products offered. In its future activity, the theater faces several challenges to increase its competitiveness. In addition to the high artistic value of the texts, the excellent acting and directing team, and the innovation and attractiveness of the performances, the theater should expand its channels of communication with the audience in social networks, develop more flexible campaigns with unconventional and provocative events, create a recognizable brand and facilitate audience access to its product, for example through online ticketing, interactive floor plan, etc. (Nedekov, 2014). Dangerous pandemics are an age-old enemy of the theater, and their appearance always means suspension of performances and bankruptcy for troupes, as it happened, for example, in London at the end of the 16th century, when William Shakespeare's star was rising. Today, however, the development of new technologies and media allows the theater to discover for itself an airless, and in this sense, safe space, which it can temporarily use as a refuge - the virtual. There, the screen can become a stage, but this has both positive and negative aspects for theatrical performance and these must be taken into account. The epidemic affects everyone and many economic sectors are in dire straits, but the cultural sector is among the hardest hit. The COVID-19 pandemic is defining the way of life and delineating the economic chasm that has opened up for small and large businesses and industries. Since the beginning of the crisis, culture has been one of the most affected sectors. The arts and culture sector has always been unstable, unsustainable, and volatile, but the COVID-19 pandemic has frozen the sector (2020), with many organizations facing bankruptcy and many people at risk of losing their income.
媒体空间中的艺术家形象。COVID-19 期间媒体与艺术之间的关系
根据社交网络的传播趋势,文化机构和组织遵循数字公关的基本规则,并通过所提供产品的特殊性来打破这些规则。在未来的活动中,剧院面临着提高竞争力的若干挑战。除了文本的高艺术价值、优秀的表演和导演团队、演出的创新性和吸引力之外,剧院还应该在社交网络中拓展与观众交流的渠道,开展更加灵活的活动,举办非传统的、具有煽动性的活动,创建一个可识别的品牌,并通过在线售票、互动平面图等方式方便观众获取其产品(Nedekov,2014)。危险的流行病是剧院的老对手,它的出现总是意味着演出的中止和剧团的破产,例如,16 世纪末威廉-莎士比亚的明星正在冉冉升起时,伦敦就发生过这种情况。然而,今天,新技术和新媒体的发展让剧院为自己发现了一个没有空气的空间,从这个意义上说,也是一个安全的空间,剧院可以暂时将其作为避难所--虚拟空间。在那里,屏幕可以成为舞台,但这对戏剧表演既有积极的一面,也有消极的一面,必须加以考虑。疫情影响到每一个人,许多经济部门陷入困境,但文化部门是受影响最严重的部门之一。COVID-19 大流行确定了人们的生活方式,也为大小企业和行业划定了经济鸿沟。自危机开始以来,文化一直是受影响最严重的部门之一。艺术和文化部门一直以来都是不稳定、不可持续和动荡不安的,但 COVID-19 大流行病已经冻结了该部门(2020 年),许多组织面临破产,许多人面临失去收入的风险。
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