{"title":"The styles of liturgical music of non-Pentatidists in the West and in Russia","authors":"V. V. Maksimov","doi":"10.26907/2079-5912.2024.1.118-125","DOIUrl":null,"url":null,"abstract":"The article is devoted to considering the history of two interconnected phenomena: rock and roll, which originated and took shape in the United States in the middle of the last century, and the so-called \"second wave of Pentecostalism\" (Pentecostal awakening), the date of which also falls on this decade. The clear influence of Pentecostal musical culture on the work of Elvis Presley is shown. The further history of rock and roll and its connection with religion is considered. The process of integrating foreign musical religious culture into the practice of Russian neo-Pentecostal churches is analyzed, an overview of the creativity and styles of Russian artists and musical groups is given.","PeriodicalId":371231,"journal":{"name":"The Kazan socially-humanitarian bulletin","volume":"39 23","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Kazan socially-humanitarian bulletin","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26907/2079-5912.2024.1.118-125","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article is devoted to considering the history of two interconnected phenomena: rock and roll, which originated and took shape in the United States in the middle of the last century, and the so-called "second wave of Pentecostalism" (Pentecostal awakening), the date of which also falls on this decade. The clear influence of Pentecostal musical culture on the work of Elvis Presley is shown. The further history of rock and roll and its connection with religion is considered. The process of integrating foreign musical religious culture into the practice of Russian neo-Pentecostal churches is analyzed, an overview of the creativity and styles of Russian artists and musical groups is given.