QUESTIONS OF KNOWLEDGE AND POWER: CONTESTATIONS WITH SPECIAL REFERENCE TO THE PERFORMANCE OF DOUDINIS OF THE BODOS OF ASSAM

Ivy Daimary, Madhurima Goswami
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Abstract

This research paper attempts to explore the notions of knowledge and power in the traditions of doudini (priestess) of the Bodo tribe of Assam, North-East India. The present paper tries to argue that although a doudini possesses traditional knowledge and supernatural power, she is deprived of the rights to equality and freedom. The doudini through her ritualistic dance performance plays the role of a mediator between the people and the Gods. The raw blood of the sacrificial animals is consumed by her in the Kherai festival, an important ritual of the Bathou religion. She is then charmed by the chants of the priest and falls into a trance and transforms into a spiritual being. The community addresses her as nasoni (dancer) and some as doudini(spirit), depending on the status attributed to her in the particular society. The doudini plays many parts which are presented in a series to the same audience. Though the ritual is performed both by female priest and male priest, their role differs as doudini has to accomplish more performances compared to male priest. The doudini does not have freedom to act on her own as she performs, based on the rules set by the system. The doudini does not enjoy freedom throughout the entire process of the ritual as she is bound to perform every act set by the system.The present study has made a critical analysis on the role of doudini, discriminated on the ground of gender and questions her status based on the social system.
知识与权力问题:阿萨姆邦波多族杜迪尼表演的特殊争议
本研究论文试图探讨印度东北部阿萨姆邦博多部落杜蒂尼(女祭司)传统中的知识和权力概念。本文试图论证,虽然杜迪妮拥有传统知识和超自然力量,但她却被剥夺了平等和自由的权利。杜迪尼通过其仪式性的舞蹈表演在人与神之间扮演着调解人的角色。在 Kherai 节这一巴图宗教的重要仪式上,她要喝下献祭牲畜的生血。然后,她会被祭司的吟唱所迷惑,陷入恍惚,变成一个有灵性的人。人们根据她在特定社会中的地位,称她为 nasoni(舞者),也有人称她为 doudini(灵魂)。杜蒂尼扮演许多角色,这些角色会以系列剧的形式出现在同一观众面前。虽然仪式由女祭司和男祭司共同完成,但他们的角色有所不同,因为与男祭司相比,豆丁尼需要完成更多的表演。杜蒂尼在根据系统规定的规则进行表演时,没有自主行动的自由。在整个仪式过程中,豆丁尼并不享有自由,因为她必须完成制度规定的每一个动作。本研究对豆丁尼的角色进行了批判性分析,对基于性别的歧视和基于社会制度的地位提出了质疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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