The unveiled beauty of cedar and yarey palm: the handcraft of one Cuban traditional group of Haitian descent

Ligia Lavielle Pullés, Diana Lisset Pompa López
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Abstract

The different Latin American handcraft tells us stories from any material used in the piece. Their differences have been nourished by ancient ethnic roots and they are based in the diversity of each continental region. The crafts are as mixed as Latin America itself. In Cuba, this kind of good is created by subjects who are far away from the academic sector. The empirical knowledge is transmitted from one generation to the next, within the same community and/ or family, and consequently, historical value is added to this production, rather than its use value. The present paper exposed the handcrafts made by a descendant family from Haitian immigrants, known as “The Richards” who have settled down in a rural place located in the East part of Cuba. They are heir of a long tradition proceeding from this nearby country. Their familiar social practices creating their handcraft and also music contribute to the neighbor community. Qualitative perspective used through some in-depth interviews and the ethnographic observation allow not only examine their history and the different ways to make their goods, but also to expose their creative values and the importance of this family as a traditional group within the region and the nets of institutional structure of the East part of this Caribbean island.
杉木和亚雷棕榈的无尽美感:一个古巴传统海地后裔群体的手工技艺
不同的拉美手工艺向我们讲述了作品中使用的任何材料的故事。它们的差异源于古老的民族根源,也源于每个大陆地区的多样性。这些手工艺品就像拉丁美洲本身一样五花八门。在古巴,这种艺术品是由远离学术界的人创造的。经验知识在同一社区和/或家庭中代代相传,因此,这种产品的历史价值高于其使用价值。本文介绍了一个海地移民后裔家庭制作的手工艺品,这个家庭被称为 "理查兹家", 他们定居在古巴东部的一个农村地区。他们继承了这个邻近国家的悠久传统。他们熟悉的社会实践创造了他们的手工艺和音乐,为邻里社区做出了贡献。通过一些深入访谈和人种学观察所采用的定性视角,不仅可以考察他们的历史和制造其产品的不同方式,还可以揭示他们的创造性价值观,以及这个家庭作为该地区传统群体和这个加勒比岛国东部体制结构网的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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