Making Memory: Bloody Sunday in Northern Ireland

Ronald Eyerman
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Abstract

This is a study of how collective memory forms out of traumatic experience. It addresses questions about the formation of collective identity out of individual trauma, and, in turn, how individual and collective trauma intertwine. This process of memory formation is illustrated through the example of an incident that took place in Northern Ireland on 30 January 1972, an event that came to be known as Bloody Sunday. A lawyer representing the families of the victims once succinctly described it as a ‘mass murder perpetrated before the world’s media [. . . which] took place over a period of ten to twelve minutes, within a geographical space not much bigger than two football pitches’. To explain how this ‘ten to twelve’ minutes became a powerful symbol of the excesses of state violence and a memory forever linked to Ireland’s history I apply the theory of cultural trauma. Previous research has identified several arenas of memory, ‘social spaces where different narratives of collective memory interact [. . .] distinct discourses that are tied to specific individuals, organizations, and institutions that advocate specific narratives through specific forms of media’. Four areas were identified, the political, the academic, the artistic, and the community. Along with the theory of cultural trauma, I apply that framework in analyzing the memory and memorialization of Bloody Sunday.
制造记忆:北爱尔兰的血腥星期天
这是一项关于集体记忆如何从创伤经历中形成的研究。它探讨了个人创伤如何形成集体认同,以及个人创伤和集体创伤又是如何交织在一起的问题。本书以 1972 年 1 月 30 日发生在北爱尔兰的一起事件为例,说明了这一记忆形成的过程,该事件后来被称为 "血腥星期天"。一位代表受害者家属的律师曾简明扼要地将这一事件描述为 "在世界媒体面前发生的大屠杀[......],时间跨度为 10 到 12 分钟,发生在比两个足球场大不了多少的地理空间内"。为了解释这 "十到十二分钟 "如何成为国家暴力过度的有力象征,以及如何成为与爱尔兰历史永远联系在一起的记忆,我运用了文化创伤理论。以往的研究已经确定了几个记忆领域,"不同集体记忆叙事相互作用的社会空间[......]与特定个人、组织和机构联系在一起的独特话语,这些个人、组织和机构通过特定的媒体形式倡导特定的叙事"。我们确定了四个领域:政治、学术、艺术和社区。结合文化创伤理论,我将这一框架用于分析血腥星期天的记忆和纪念活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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