Preservation vectors of traditional Chinese music

Enyi Dan
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Abstract

The purpose of the article is to highlight the issue and development of Chinese traditional music in the context of modern society. Our research methodology is to justify and analyse the possibilities of immersive approaches to this important musical heritage. The research methodology is based on a comprehensive analysis of modern trends in the development of Chinese traditional music. Cultural and musicological methods were used to study the influence of modern society on the preservation of traditional musical culture. The study considers three inversion approaches: creation of exhibition halls, formation of archives, and development of ecological exhibition spaces. We conduct a comparative analysis of the effectiveness of each approach and its use for the preservation and development of traditional music. Scientific novelty is the systematic contribution of inversion methods to the preservation and development of traditional music. The approach takes into account modern realities and these demands of society, contributing not only to the preservation, but also to the active development of Chinese traditional musical heritage. The conclusions emphasise the expediency and necessity of implementing such research approaches and indicate the prospects of using immersive approaches for the further preservation and development of Chinese traditional music in the modern era.  
中国传统音乐的保护载体
本文旨在强调中国传统音乐在现代社会背景下的问题和发展。我们的研究方法是论证和分析对这一重要音乐遗产采用沉浸式方法的可能性。研究方法基于对中国传统音乐发展现代趋势的全面分析。采用文化学和音乐学方法研究现代社会对传统音乐文化保护的影响。研究考虑了三种倒置方法:建立展厅、组建档案馆和开发生态展示空间。我们对每种方法的有效性及其在传统音乐保护和发展中的应用进行了比较分析。科学新颖性在于系统地利用反转方法保护和发展传统音乐。这种方法考虑到了现代现实和社会需求,不仅有助于中国传统音乐遗产的保护,而且有助于其积极发展。结论强调了实施这种研究方法的便利性和必要性,并指出了在当代使用沉浸式方法进一步保护和发展中国传统音乐的前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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