Analysis of the Artistic Characteristics of Type III Large Bronze Drums in Guangxi

Jiayin Luo, Yi Gu
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Abstract

In Guangxi, three types of bronze drums have been categorized based on the nomenclature of standard instruments named after their places of discovery: the Lengshuichong type, the Beiliu type, and the Lingshan type. This period also marks the zenith of bronze drum development, often referred to as the era of divine and significant instruments. An analysis of the artistic characteristics of these three types of large bronze drums from Guangxi offers insights into the ancient primitive beliefs of the Zhuang and Dong ethnic groups' ancestors. Through the examination of the decorations and shapes of these three types of large bronze drums, one can appreciate the aesthetic beauty of the changing shapes of the drums and the aesthetic connotations of the bronze drum culture, which embody the concepts of meaning, imagery, auspiciousness, and beauty. This includes the devout beliefs in worshipping heaven and earth through bronze drums, the connection between humans and nature, and the cosmological understanding of the universe.
广西 III 型大铜鼓的艺术特点分析
在广西,根据以发现地命名的标准乐器命名法,将铜鼓分为三种类型:冷水冲型、北流型和灵山型。这一时期也是铜鼓发展的顶峰,通常被称为神器和重器时代。通过分析广西出土的这三种大型铜鼓的艺术特征,可以了解壮族和侗族先民古老的原始信仰。通过考察这三种大铜鼓的纹饰和造型,可以领略到铜鼓造型变化的美感和铜鼓文化的审美内涵,体现了意、象、吉、美的观念。其中包括通过铜鼓祭祀天地的虔诚信仰、人与自然的联系以及对宇宙观的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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