Melanesian reimagining: a digital tok stori of Papua New Guinean identity on Instagram

Angela Kampah Matthews
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Abstract

Expanding social media research on the Pacific Digital Revolution, this article explores the significance of Papua New Guineans’ digital and visual articulations of Papua New Guinean identity through Instagram by analysing two public Papua New Guinean Instagram accounts, @archiveples and @taniabphoto. The research triangulates between Pacific, Indigenous, and Cultural studies, drawing on articulation theory and a multimodal thematic and visual cultural studies analysis. A Melanesian tok stori (storytelling) framework reveals how social media interactions fit within a culturally relevant Melanesian concept of storytelling and illustrates how social media has become a contemporary site for Pacific digital storytelling. This digital tok stori is a decolonsing digital wave of the Pacific artistic renaissance and reimagining emerging in 1970s post-independence art and literature. This research demonstrates how Papua New Guineans are subversively harnessing the tools and affordances of social media to counter reductive colonial narratives and mass media representations of Papua New Guineans.
美拉尼西亚重塑:Instagram 上的巴布亚新几内亚身份数字图库
本文通过分析 @archiveples 和 @taniabphoto 这两个公开的巴布亚新几内亚 Instagram 账户,拓展了有关太平洋地区数字革命的社交媒体研究,探讨了巴布亚新几内亚人通过 Instagram 以数字和视觉表达巴布亚新几内亚身份的意义。这项研究在太平洋研究、土著研究和文化研究之间进行了三角测量,借鉴了衔接理论以及多模态主题和视觉文化研究分析。Melanesian tok stori(讲故事)框架揭示了社交媒体互动如何与具有文化相关性的 Melanesian 讲故事概念相契合,并说明了社交媒体如何成为太平洋地区数字故事的当代场所。这种数字 tok stori 是 20 世纪 70 年代独立后艺术和文学中出现的太平洋艺术复兴和重新想象的非殖民化数字浪潮。这项研究表明,巴布亚新几内亚人是如何颠覆性地利用社交媒体的工具和能力,来反驳对巴布亚新几内亚人的殖民主义叙述和大众传媒表述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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