From Collective Identity to Counter-Hegemony

Handrianus Koli Belolon
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Abstract

In mass media, such as films, the Papuan region and people are still regarded as “the other", for example, portrayed as a people and region that needs to be civilized through various approaches. In addition, Papua is rich in natural wealth and culture, but instead of bringing prosperity, it become a source of new conflicts that threaten the existence and survival of the environment and the Papuan. This condition encourages young Papuan filmmakers and members of the Papuan Voices (PV) community to create an alternative narrative about Papua. Through documentaries produced collectively, they aim to present another side of Papua from the perspective of the Papuans. Using a poststructuralism approach elaborated with Gramsci's theory of hegemony, this study aims to explore the dynamics of collective identity formation and efforts to create counter-narratives as part of a counter-hegemony movement, namely by criticizing inequality and instilling solidarity for Papua. The analysis shows that the formation of PV’s collective identity is based on the history of Papuan suffering memories (memoria passionis) related to the experiences of injustice.
从集体认同到反霸权
在电影等大众传媒中,巴布亚地区和巴布亚人仍然被视为 "另类",例如,被描绘成需要通过各种方式加以文明化的民族和地区。此外,巴布亚拥有丰富的自然财富和文化,但它非但没有带来繁荣,反而成为新冲突的根源,威胁着环境和巴布亚人的生存。这种状况促使巴布亚青年电影制片人和巴布亚之声(PV)社区的成员创作关于巴布亚的另一种叙事方式。通过集体制作的纪录片,他们旨在从巴布亚人的视角展现巴布亚的另一面。本研究采用葛兰西霸权理论阐述的后结构主义方法,旨在探讨作为反霸权运动的一部分,即通过批判不平等和灌输声援巴布亚的理念,集体身份形成和努力创造反叙事的动态。分析表明,巴布亚人民的集体认同的形成是基于巴布亚人与不公正经历相关的苦难记忆(memoria passionis)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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