Black body representation in Get Out (2017) and Us (2019) by Jordan Peele

Hong Linh Ta
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Abstract

Black characters soon appeared in Hollywood films such as The Birth of a Nation (1915), Intolerance (1916). They are recognised as criminals, not conceded as human rights. African-American directors created films to change the image of black people. Jordan Peele inherits the efforts of his predecessors and takes the story of black people in cinema to a new level with identity clarification. That is clearly shown in the movies Get Out (2017) and Us (2019). The research aims to identify the black body representation in the above two films by Jordan Peele as an expression of identity. Body denial is the root cause of violence among African Americans. This acts as a form of identity tracing. The research combines the use of cinematic narrative and semiotic approaches with interdisciplinary research methods such as culturology and anthropology. The basic principle of the position of the research is the theory of ethnic identity. The use of comparison, collation, analysis and synthesis will be applied in the process of developing theses.
乔丹-皮尔的《逍遥法外》(2017)和《我们》(2019)中的黑人身体表征
黑人角色很快出现在好莱坞电影中,如《一个国家的诞生》(1915 年)和《不容忍》(1916 年)。他们被视为罪犯,不被赋予人权。非裔美国导演创作电影,以改变黑人的形象。乔丹-皮尔继承了前辈们的努力,将黑人在电影中的故事提升到了一个新的高度,并澄清了黑人的身份。这一点在电影《逍遥法外》(2017 年)和《我们》(2019 年)中得到了清晰的体现。本研究旨在找出乔丹-皮尔在上述两部电影中的黑人身体表现,以此表达身份认同。身体否认是非裔美国人暴力的根源。这也是一种身份追踪。本研究将电影叙事学和符号学方法与文化学和人类学等跨学科研究方法结合使用。研究立场的基本原则是种族认同理论。在撰写论文的过程中将运用比较、整理、分析和综合的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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