Home as a site of resistance: Editorial

Anna Viola Sborgi, Elizabeth Patton
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Abstract

This special issue intervenes in the scholarship on domestic space on screen by adopting a specific focus on the home as a space of resistance across different geographies and time periods, from the 1960s to today. The articles utilise a mix of research methods, from archival to participatory documentary. Considering debates from fields such as home movie studies, virtual reality, media activism, and the relationship between film and urbanism, the articles in this special issue demonstrate how film and media can address resistance centred around the concept of home. They also challenge and offer alternative views to white, heteronormative, middle-class representations of domestic life. These articles provide insights into the challenges and importance of home for marginalised groups, suggest new ways for film and media studies to approach representation, and centre the portrayal of often overlooked communities. Central to these articles is the idea of home and the use of media as a form of resistance and agency that can be used to contest mainstream perspectives. Each article looks at what home means, whether it’s a place of safety, precarity, identity, or memory, with each essay looking at how media shape or challenge our views of home and social identity.
家是抵抗的场所社论
本特刊对银幕上的家庭空间进行了深入研究,特别关注从 20 世纪 60 年代至今不同地域和时间段内作为反抗空间的家庭。文章采用了从档案到参与式纪录片等多种研究方法。考虑到家庭电影研究、虚拟现实、媒体行动主义以及电影与城市化之间的关系等领域的争论,本特刊中的文章展示了电影和媒体如何解决以 "家 "的概念为中心的抵抗问题。这些文章还对白人、异性恋、中产阶级对家庭生活的表述提出了挑战,并提供了替代观点。这些文章深入探讨了家对边缘化群体的挑战和重要性,为电影和媒体研究提出了新的表现方法,并集中描绘了经常被忽视的群体。这些文章的中心思想是 "家 "的概念,以及利用媒体作为一种抵抗和代理的形式,从而对主流观点提出质疑。每篇文章都探讨了 "家 "的含义,无论是安全、不稳定、身份还是记忆,每篇文章都探讨了媒体如何塑造或挑战我们对 "家 "和社会身份的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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