Gender Inequality in Indonesian Dangdut Songs Containing Vulgar Content: A Critical Discourse Study

Dewi Kusumaningsih, K. Saddhono, Nuryani Tri Rahayu, Hanisah Hanafi, Aldi Dwi Saputra, Pauline Dewi Juliani Setyaningsih
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Abstract

Dangdut music is a highly popular genre in Indonesia. It serves not only as entertainment but also reflects the social reality of Indonesia through its lyrics, often depicting everyday life stories. Some Indonesian Dangdut song lyrics frequently exhibit gender inequality, perpetuating stereotypical views on gender roles by portraying women as sexual objects or passive, while men are often depicted as dominant figures. This research aims to explain gender inequality in the lyrics of well-known Dangdut songs in Indonesia. The research methodology employed is qualitative descriptive research. Data collection techniques include observation and note-taking. The research data consists of lyrics containing words, phrases, and sentences that represent gender inequality. Data analysis techniques involve content analysis and focus group discussions. The findings of this research contribute to the fields of linguistics, gender equality, and language use in song lyrics. The results indicate that explicit Dangdut song lyrics convey gender inequality between men and women. The subject-object and writer-reader positions are evident in portraying actors in the lyrics. Men are characterized powerful and actively engaged, while women are portrayed as sexual objects, obedient, passive, and accepting anything. The writer's position is that of a song creator observing societal phenomena, while the reader's position is that of music listeners, representing society. Ultimately, this research can provide insights for songwriters, singers, and stakeholders in the music industry regarding the potential impact of lyrics that create or reinforce gender inequality. This may encourage the adoption of more inclusive and gender-aware creation practices.
印尼含有低俗内容的 Dangdut 歌曲中的性别不平等:批判性话语研究
Dangdut 音乐是印度尼西亚非常流行的一种音乐体裁。它不仅是一种娱乐,还通过歌词反映印尼的社会现实,通常描绘日常生活中的故事。一些印尼 Dangdut 歌词经常表现出性别不平等,将女性描绘成性对象或被动者,而男性往往被描绘成主导者,从而延续了对性别角色的陈旧观念。本研究旨在解释印尼著名 Dangdut 歌曲歌词中的性别不平等现象。采用的研究方法是定性描述研究。数据收集技术包括观察和记录。研究数据包括歌词中代表性别不平等的单词、短语和句子。数据分析技术包括内容分析和焦点小组讨论。本研究的结果有助于语言学、性别平等和歌词中的语言使用等领域的研究。研究结果表明,明确的 Dangdut 歌词表达了男女之间的性别不平等。主-客体和作者-读者的立场在歌词中对演员的刻画十分明显。男性的特点是强大、积极投入,而女性则被描绘成性对象、顺从、被动和接受任何东西。作者的立场是观察社会现象的歌曲创作者,而读者的立场是代表社会的音乐听众。最终,这项研究可以为词曲作者、歌手和音乐产业的利益相关者提供洞察力,帮助他们了解歌词造成或强化性别不平等的潜在影响。这可能会鼓励采用更具包容性和性别意识的创作实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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