English-language digital literature/novel: its composition-communicative architectonics and features

O. Pozharytska, Iryna Morozova, Olga Dolgusheva, Alina Maslova, Yuliia Nadolska
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Abstract

The study examines the concept of text multimodality, as well as its levels and key components. Particular attention was paid to the English-language novel to establish its iconic nature and specificity. As part of the research, the authors carried out a comprehensive analysis of the semantic features of the verbal and visual components of the text to reveal their influence on the reader's perception. Both linguistic and extra-linguistic means used to create multimodality in English-language novels were considered in detail. The authors also analyzed scientific approaches to understanding multimodal text and critically reviewed studies in the field of digital literature aimed at solving the mentioned issue. Based on the knowledge gained, it is possible to summarize and draw conclusions about the importance of multimodal means in contemporary literature and their impact on the readers. This paper has analyzed the following digital literary works: "Breathe: A Ghost Story" by Kate Pullinger, "C ya laterrrr" by Dan Hett, "Queers in Love at the End of the World" by Anna Anthropy, "My Body – A Wunderkammer" by Shelley Jackson, and "Inanimate Alice" by Kate Pullinger.
英语数字文学/小说:其构成--交流架构和特点
本研究探讨了文本多模态的概念及其层次和主要组成部分。其中特别关注了英文小说,以确定其标志性和特殊性。作为研究的一部分,作者对文本中语言和视觉部分的语义特征进行了全面分析,以揭示它们对读者感知的影响。作者详细研究了英语小说中用于创造多模态的语言和语言外手段。作者还分析了理解多模态文本的科学方法,并批判性地回顾了数字文学领域旨在解决上述问题的研究。根据所获得的知识,可以对当代文学中多模态手段的重要性及其对读者的影响进行总结并得出结论。本文分析了以下数字文学作品:"呼吸:凯特-普林格的《呼吸:一个鬼故事》、丹-海特的《C ya laterrrr》、安娜-安特罗皮的《世界尽头的同性恋之恋》、雪莱-杰克逊的《我的身体--一个奇妙的世界》和凯特-普林格的《无生命的爱丽丝》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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