Cultural Sustainability and Samosa Colonialism: A Decolonizing Thinking Practice

Purushottam Ghimire, B. P. Pant
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Abstract

The Tarai region of Nepal was well renowned for its epistemic diversity of Mithila art-based cultures. It included poetry, theatre, stories, proverbs, metaphors, jokes, songs, folklore, dance, and music, as well as dialogue, myths, local proverbs, photographs, and drawings. Cultural sustainability can be defined as the ability to uphold or enhance beliefs and perspectives in the face of outside influences, such as colonial practices. The Samosa trade has been found to have promoted colonial practice in some Terai places, bringing significant changes in the indigenous lifestyle and culture. It seems that this is because of the well-known culture-based cartoons from South India known as Motu Patlu. In this context, this study aims to explore the relevance of indigenous thinking, practice, and social responsibility in a contextualized local education system. For that, we conducted a qualitative study using purposive expert group discussions and follow-up tele-interviews to investigate epistemic plurality within the constructivist framework. The study showed that local agricultural productivity has decreased, which has hurt the ecosystem and biodiversity. Similarly, everyone developed a spending habit as a result of the market shopping tradition. Therefore, the revolution of evolution is the need of the moment to inculcate correct indigenous values ​​and practices through the educational system.
文化可持续性与萨莫萨殖民主义:非殖民化思维实践
尼泊尔德赖地区因其基于米提拉艺术文化的认识多样性而闻名于世。它包括诗歌、戏剧、故事、谚语、隐喻、笑话、歌曲、民间传说、舞蹈和音乐,以及对话、神话、当地谚语、照片和绘画。文化的可持续性可以定义为在面对殖民主义做法等外部影响时坚持或加强信仰和观点的能力。萨莫萨贸易在德赖的一些地方推动了殖民主义做法,给当地的生活方式和文化带来了重大变化。这似乎是因为南印度著名的以文化为基础的漫画 "Motu Patlu"。在此背景下,本研究旨在探讨土著思想、实践和社会责任在当地教育系统中的相关性。为此,我们开展了一项定性研究,通过有目的的专家小组讨论和后续电话访谈,在建构主义框架内研究认识论的多元性。研究结果表明,当地农业生产率下降,损害了生态系统和生物多样性。同样,由于市场购物的传统,每个人都养成了消费习惯。因此,当务之急是进行进化革命,通过教育系统灌输正确的本土价值观和做法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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