Serbian choral music from the first half of the 20th century

V. Ibanescu, I.-A. Ardeleanu
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Abstract

In the period of the building up of Serbian musical life, the first professional musicians were foreign artists, and then, in the second half of the century, domestic professional personnel were also formed. Serbian choral composers were educated in various European centres, such as Prague, Vienna, Budapest, Munich, Rome and Leipzig. The work of numerous Serbian singing societies in the 1830s paved the way for the quality of some choirs, especially those in Belgrade, to be noticed on the international scene in the era of Stevan Stojanović Mokranjac. When the era of S. S. Mokranjac was over, according to many, a "new era" for Serbian art began, and the tradition of the time was not only not abandoned, but also expanded and flourished.
20 世纪上半叶的塞尔维亚合唱音乐
在塞尔维亚音乐生活的建设时期,第一批专业音乐家是外国艺术家,然后在本世纪下半叶,国内的专业人员也开始形成。塞尔维亚合唱作曲家在布拉格、维也纳、布达佩斯、慕尼黑、罗马和莱比锡等欧洲中心接受教育。19世纪30年代,许多塞尔维亚歌唱协会的工作为一些合唱团,特别是贝尔格莱德的合唱团的质量铺平了道路,在斯特凡-斯托扬诺维奇-莫克拉尼亚茨时代,这些合唱团在国际舞台上受到了关注。许多人认为,当S.S.莫克兰亚茨时代结束时,塞尔维亚艺术的 "新时代 "开始了,当时的传统不仅没有被抛弃,反而得到了扩展和繁荣。
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