The Suite for Piano in the Creation of George Enescu and Constantin Silvestri - Tradition and Originality

Ioan Mihailescu
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Abstract

The composers George Enescu and Constantin Silvestri played an important role in the evolution of the piano suite genre in the Romanian music of the 20th century. The Piano Suite in D major op. 10 (1901-1903) by G. Enescu combines elements of baroque origins with elements of French music (present especially in the music of Ravel and Debussy) and elements of folklore influence from genres of Romanian traditional folk music (doinas and dances ). The Suite III op.6 no. 1 (1933) by Constantin Silvestri includes pieces that feature an Expressionist theme. The melody is defined by a fusion between improvisation and rigorous organization. The presence within the same piece of some songs of diatonic structure with intensely chromatic songs stands out. The two suites for piano reflect the concern of the composers G. Enescu and C. Silvestri to widen the sphere of expression of a traditional framework, achieving this through the originality of their compositional language.
乔治-埃内斯库和康斯坦丁-西尔维斯特里创作的钢琴组曲--传统与创新
作曲家乔治-埃内斯库(George Enescu)和康斯坦丁-西尔维斯特里(Constantin Silvestri)在 20 世纪罗马尼亚音乐中钢琴组曲体裁的演变中发挥了重要作用。D 大调钢琴组曲作品埃内斯库(G. Enescu)的 D 大调钢琴组曲作品 10(1901-1903 年)融合了巴洛克风格、法国音乐元素(尤其是在拉威尔和德彪西的音乐中)以及罗马尼亚传统民间音乐流派(杜伊纳舞曲和舞蹈)中的民俗元素。康斯坦丁-西尔维斯特里(Constantin Silvestri)创作的组曲 III 作品 6 之 1(1933 年)包含了以表现主义为主题的乐曲。旋律融合了即兴创作和严谨的组织。在同一首曲子中,一些二度音程结构的曲子与强烈的半音阶曲子的结合尤为突出。这两首钢琴组曲反映了作曲家 G. 埃内斯库和 C. 西尔维斯特里对拓宽传统框架表达范围的关注,他们通过独创性的作曲语言实现了这一目标。
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