Interweaving Creative Critical Sense-Making through a Body of Koloa

Dagmar Dyck, Caroline Scott Fanamanu
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引用次数: 0

Abstract

Storytelling through the arts is embedded in Pacific cultural ways and is meaningfully expressed by interweaving history, genealogy, cultural values, and beliefs. My investigation into Pasifika students’ success as Pasifika in visual arts was revealed through the students’ artworks and stories. Visual art teachers’ beliefs, attitudes and pedagogical practices were also examined to illuminate the critical role they play in affirming Pasifika student success as Pasifika. The inclusion of my own experiences and artworks as a visual artist of Tongan and German descent, grounds the research project and offers voice to my creative critical sense-making process. This article also presents an exploratory examination of falanoa, alongside Caroline Scott Fanamanu’s analysis, as an intergenerational arts-based research method, specifically in the context of my own body of koloa, a personal collection of treasured artworks generated across a 30-year period. Recognising my duality of distinct ancestral worlds, this article suggests that falanoa can be a valuable method for arts-based research, particularly in the context of creative critical sense-making, cultural preservation, and intergenerational knowledge.
通过 "可洛亚身体 "交织创造性的批判意识
通过艺术讲故事是太平洋文化的根基,通过将历史、家谱、文化价值观和信仰交织在一起而得到有意义的表达。我对太平洋岛民学生作为太平洋岛民在视觉艺术方面取得成功的调查是通过学生的艺术作品和故事来揭示的。视觉艺术教师的信仰、态度和教学实践也得到了研究,以揭示他们在肯定 Pasifika 学生作为 Pasifika 人取得成功方面所发挥的关键作用。作为一名汤加和德国血统的视觉艺术家,我将自己的经历和艺术作品融入到研究项目中,为我的创造性批判感知过程提供了依据。本文还结合卡罗琳-斯科特-法纳玛努 (Caroline Scott Fanamanu) 的分析,对法拉诺亚 (falanoa) 进行了探索性研究,将其作为一种以艺术为基础的代际研究方法,特别是在我自己的 koloa 体系背景下,这是我 30 年来所创作的珍贵艺术作品的个人收藏。认识到我祖先世界的双重性,本文认为法拉诺阿可以成为一种有价值的艺术研究方法,尤其是在创造性的批判意识、文化保护和代际知识方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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