Roy Rabb och anakronismen

Sven-Erik Klinkmann
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Abstract

This text deals with anachronism, within the framework of a cultural analytical research effort, in the life and art of Ostrobothnian dance band musician and local politician Roy Rabb. The intention here is to activate a critical thinking on anachronisms, what they do and why it seems that we need them. The arenas and artefacts studied are Roy Rabb’s activities as a dance band musician, his laptop, steel guitar and his sports car, and also his engagement in the populist party the True Finns. The playfully subversive character of many of Rabb’s musical and visual undertakings makes it difficult to place his anachronisms within an unambiguously national or nationalistic context. But on the other hand, some remarks he has been making, of an openly racist and male chauvinistic nature, indicates a certain caution as to a reading the anachronisms of Roy Rabb strictly along the lines of a playful subversiveness.
罗伊-拉布和不合时宜
本文在文化分析研究工作的框架内,探讨了奥斯特罗伯特舞蹈乐队音乐家和当地政治家罗伊-拉布的生活和艺术中的不合时宜之处。本文的目的在于激活对不合时宜之处、不合时宜之处的作用以及为什么我们似乎需要不合时宜之处的批判性思考。罗伊-拉布作为舞蹈乐队音乐家的活动、他的笔记本电脑、钢吉他和跑车,以及他在民粹主义政党 "真正芬兰人 "中的参与,都是研究的领域和对象。罗伊-拉布的许多音乐和视觉作品都具有嬉皮笑脸的颠覆性,因此很难将他的不合时宜之处置于明确的国家或民族主义背景之下。但另一方面,罗伊-拉布公开发表的一些带有种族主义和大男子主义性质的言论,也表明我们在解读罗伊-拉布的不合时宜之处时,应严格遵循游戏性颠覆的原则。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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