Tauhi Vā, A Tongan Artistic Tradition Continues in Academic Research:

R. Faleolo
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引用次数: 0

Abstract

I have purposefully used a narrative approach in my review of Ka‘ili’s (2017) Marking Indigeneity: The Tongan Art of Sociospatial Relations to support my meaning making as a Tongan academic and Pasifika researcher. I considered elements of the text that worked well for me as an early career researcher and that are accessible to Tongan and non-Tongan academics alike. The Oceanian artistic traditions of time (tā) and space (vā) promoted in this book offer a continuation of ancient oral traditions into the contemporary realm of academic literature. In essence, Ka‘ili’s book brings significant understandings of the tā-vā theory into interdisciplinary research spaces and across the global landscape of Pasifika research and academic practice. This is evidenced in the more than 60 Pasifika authors’ citations of Ka‘ili’s book, to date. My recommendation of this book draws upon these facets: the accessibility of the text, the elements of the text, and the global reach of the text.
Tauhi Vā,《汤加艺术传统在学术研究中的延续》:
在回顾卡伊里(Ka'ili,2017 年)的《标记土著性:汤加人的社会空间关系艺术》(Marking Indigeneity: The Tongan Art of Sociospatial Relations)一书时,我特意采用了叙事方法,以支持我作为汤加学者和帕西菲卡(Pasifika)研究人员的意义建构。我考虑了文本中对我作为一名早期研究人员非常有用的元素,这些元素对汤加学者和非汤加学者来说都是可以理解的。本书所提倡的大洋洲时间(tā)和空间(vā)艺术传统将古老的口头传统延续到了当代学术文献领域。从本质上讲,Ka'ili 的书将对 tā-vā 理论的重要理解带入了跨学科研究空间,并贯穿了 Pasifika 研究和学术实践的全球景观。迄今为止,已有 60 多位帕西菲卡作者引用了 Ka'ili 的著作,这就是最好的证明。我对这本书的推荐基于以下几个方面:文本的易读性、文本的要素以及文本的全球影响力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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