{"title":"CLASSICAL VERSUS BLACK MUSIC AS AN IDENTITY TROPE IN LANGSTON HUGHES’S THE WAYS OF WHITE FOLKS","authors":"Adriano Elia","doi":"10.21533/epiphany.v16i1.423","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":30629,"journal":{"name":"Epiphany","volume":"273 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Epiphany","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21533/epiphany.v16i1.423","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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