o thrinos yia ton Diyeni Akriti kai tous oikeious tous sto omonimo bizantino epos. Mia proti sinkritiki prosengisi me ton thrino yia ton Ektora stin Iliada

Ioannis Kioridis, Christos Charakopoulos
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Abstract

The motif of epic lamentation for familiar persons who have passed away has been a popular theme in world literature since the Epic of Gilgamesh and Homer’s Iliad. In this contribution, we focus on the Byzantine epic poem of Digenes Akrites, written by an unknown author of the early 12th century, which recounts the exploits of the eponymous hero on the frontier between the Byzantines and the Arabs. Six manuscripts in Greek survive today (apart from some adaptations in Old Russian), which are variants of the lost original version—all date from the mid-13th or 14th century to the 17th century. Our interest focuses on the four laments for Akritis’ father and mother, himself and his wife, as presented in the six manuscripts. The approach will be comparative between the six texts, the laments for Digenes and similar laments for Hector in the Iliad. Finally, it is essential to draw on Zumthor’s schema of epic lament in French epic medieval texts, and the form in which it is found in the epic laments we are studying.
and thrinos yia ton Diyeni Akriti kai tous oikeious tous sto omonimo byzantine epics.米娅反对同义词 prosengisi me ton thrino yia ton Ektora stin Iliad
自《吉尔伽美什史诗》和荷马的《伊利亚特》以来,为逝去的熟人创作史诗哀歌的主题一直是世界文学的流行主题。在这篇论文中,我们将重点讨论拜占庭史诗《迪杰尼斯-阿克里特斯》,该诗由 12 世纪早期一位不知名的作者所写,叙述了同名英雄在拜占庭人和阿拉伯人之间的边境上的事迹。目前存世的六份希腊文手稿(除了一些古俄文改编本)都是失传原版的变体--所有版本的创作年代都在 13 或 14 世纪中叶至 17 世纪之间。我们关注的重点是这六份手稿中为阿克里蒂斯的父亲和母亲、他自己和妻子所写的四首哀歌。我们将对这六份手稿、迪杰尼斯的哀歌和《伊利亚特》中赫克托耳的类似哀歌进行比较。最后,必须借鉴祖姆索尔(Zumthor)关于法国中世纪史诗文本中史诗哀歌的模式,以及我们正在研究的史诗哀歌中的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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