Readings in queer pleasure

Anna Kurowicka, Agnieszka Kotwasińska
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Abstract

This article analyzes the queer pleasures of the 2015 sf movie by the Wachowski sisters, Jupiter Ascending . We find that these pleasures operate on two intertwined levels: the movie’s campy villains and over-the-top aesthetics reflect the themes of queer temporality and reproduction on the textual level, while the straight romance of the protagonist draws on the queer archive of fan fiction. We engage with queer studies and fan studies as critical frameworks that allow us to center affective pleasures of recognizing well-established romantic tropes and character archetypes. Critical debates surrounding Jupiter Ascending point to a larger discussion concerning the space for pleasure within sf texts and sf fan communities, while the movie’s commitment to fan fiction tropes and narrative practices anticipates recent changes in media consumption and production patterns.
同性恋乐趣读本
本文分析了沃卓斯基姐妹2015年的SF电影《木星上行》中的同性恋乐趣。我们发现,这些愉悦在两个相互交织的层面上运作:电影中的野营反派和夸张美学在文本层面上反映了同性恋时间性和再现的主题,而主人公的直男恋情则借鉴了同人小说的同性恋档案。我们将同性恋研究和影迷研究作为批判框架,使我们能够在认识到既定的浪漫套路和角色原型的过程中获得情感上的愉悦。围绕《木星上行》展开的批判性辩论,指向了一场更广泛的讨论,这场讨论涉及的是关于在索非亚文本和索非亚粉丝社区中的愉悦空间,而电影对粉丝小说套路和叙事实践的承诺,则预示着媒体消费和生产模式的最新变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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