Antonio Tamburini and the Baritone Role

Svetlana Vladimirovna Reshetnikova, Yixiang Zhang
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Abstract

The study of opera art at the turn of the 18th–19th centuries is currently a topical research. At the beginning of the 19th century, many cardinal changes took place in the field of vocal performance: new types of singing voices and dramatic roles were formed, the manner of ornamentation of parts underwent changes. Many works of domestic and foreign musicologists are mainly devoted to the study of the operatic performance of tenors, basses, contraltos and sopranos. Occasionally, they mention the baritones of the Verdi period, and the period of the birth of the baritone role, unfortunately, remains unexplored. The subject of this study is the operatic and vocal work of the Italian baritone Antonio Tamburini. The object of the study is the baritone roles created for the singer. The theoretical and methodological basis of the study was the works of modern domestic and foreign musicologists devoted to the art of vocal masters of the early 19th century, reviews of Tamburini's contemporary music critics and his creative biography. The novelty of the study lies in the identification of causal relationships between the performance of the singer and the evolutionary processes that occurred in the opera art of the early 19th century. The main conclusion of the study is to identify the role of Tamburini in the formation of the role of the baritone.
安东尼奥-坦布里尼与男中音角色
对 18-19 世纪之交歌剧艺术的研究是当前的热门研究课题。19 世纪初,声乐表演领域发生了许多重大变化:新的唱腔类型和戏剧角色形成了,声部的装饰方式也发生了变化。许多国内外音乐学家的著作主要致力于研究男高音、男低音、女中音和女高音的歌剧表演。他们偶尔会提到威尔第时期的男中音,但遗憾的是,男中音角色的诞生时期仍未得到研究。本研究的主题是意大利男中音安东尼奥-坦布里尼的歌剧和声乐作品。研究对象是为该歌唱家创作的男中音角色。研究的理论和方法论基础是 19 世纪初专门研究声乐大师艺术的现代国内外音乐学家的著作、坦布里尼的当代音乐评论家的评论及其创作传记。研究的新颖之处在于确定了歌唱家的表演与 19 世纪早期歌剧艺术演变过程之间的因果关系。研究的主要结论是确定坦布里尼在男中音角色形成过程中的作用。
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