“Kuna Corona fake na Og”: The Role of Postcolonial Laughter during the COVID-19 Outbreak in Tanzania

Angelus Mnenuka
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Abstract

Scholars are basically divided in their perception of the functions of postcolonial humour. One block ascribes it to the role of criticising postcolonial governments for maladministration. Another group ascribes it to ridiculing the masses for their passivity to unjust rulers. In addition, there is also a middle group that does not specifically assign the art to either side. Taking these varying opinions as a point of departure and the novelty of COVID-19 humour, the researcher adapted multimodality and social semiotics to analyse and ascertain the role of postcolonial humour used in debates about COVID-19 in Tanzania during the peak of the malady. In this regard, the study reports that besides entertainment function, COVID-19 postcolonial humour reminded people from all walks of life to take responsibility in the fight against the disease. Thus, the findings confirm that postcolonial humour in social media, like other traditional African verbal arts, criticises undesirable societal practices regardless of a person’s social and political status.
"Kuna Corona fake na Og":坦桑尼亚 COVID-19 爆发期间后殖民笑声的作用
学者们对后殖民时期幽默功能的认识基本上存在分歧。一部分人认为它的作用是批评后殖民时期政府的管理不善。另一部分人则认为幽默是为了嘲讽大众对不公正统治者的消极态度。此外,还有一个中间群体,他们没有明确地将艺术归属于任何一方。以这些不同的观点为出发点,并考虑到 COVID-19 幽默的新颖性,研究人员采用了多模态和社会符号学的方法来分析和确定在 COVID-19 的高峰期,坦桑尼亚在有关 COVID-19 的辩论中使用的后殖民主义幽默的作用。在这方面,研究报告指出,除了娱乐功能外,COVID-19 后殖民主义幽默还提醒各行各业的人们在抗击疾病的斗争中承担起责任。因此,研究结果证实,社交媒体中的后殖民主义幽默与非洲其他传统语言艺术一样,批评了不良的社会习俗,而不论个人的社会和政治地位如何。
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