Imagery of Childhood from the Homeric Poems

Ana Paula Pinto
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Abstract

As the first European literary documents, the Iliad and the Odyssey ensure in the cultural history of the West a unique status, assuming itself since Antiquity as the first foundation of philological and philosophical research, and also as superior literary and artistic model. In the framework of their traditional nature, due to the creative elaboration of generations of aedos, both epics, based on a peculiar technique of production and transmission, articulate in an enigmatic poetic plot threads of mythic narratives and historical realities that modern archaeological investigations confirm. From the poetic testimony of Homer, we will try to analyse the references to childhood. While some occur generically as images of a certain extract of human society, marked by peculiar characteristics, functions and needs, others, supported by peculiar mentions, assume a dramatic functionality in the mythical plot of the two poems, which contributes to their symbolic density. These poetic founding references, plastically reflected in the Greek ceramic art of the classical period, will offer us the pretext not only to better understand the ancient worldview, but also to interpret in it the symbolic expressiveness of the childhood universe. Keywords: Homer, Iliad, Odyssey, childhood, classical ceramic art
荷马史诗中的童年意象
作为欧洲最早的文学文献,《伊利亚特》和《奥德赛》在西方文化史上具有独特的地位,自古以来就是语言学和哲学研究的首要基础,也是卓越的文学和艺术典范。这两部史诗在其传统性质的框架内,经过世世代代的创造性阐释,以一种特殊的制作和传播技术为基础,在神秘的诗歌情节中将神话叙事和历史现实串联起来,现代考古调查证实了这一点。从荷马的诗歌见证中,我们将尝试分析对童年的提及。有些诗歌中的童年是人类社会中某一抽象部分的一般形象,具有特殊的特征、功能和需求,而另一些诗歌中的童年则以特殊的提法为支撑,在两首诗歌的神话情节中具有戏剧性的功能,从而增加了其象征意义的密度。这些在希腊古典时期陶瓷艺术中得到充分反映的诗歌基础参考资料,不仅为我们更好地理解古代世界观提供了借口,也为我们解读童年宇宙的象征表现力提供了依据。关键词荷马、伊利亚特、奥德赛、童年、古典陶瓷艺术
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