Psychological Make-Up and Gender Construct in Christina Rossetti’s “Goblin Market”

IF 0.1 0 LITERARY THEORY & CRITICISM
Shivani Chaudhary, Raj Bansal
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Abstract

The paper aims at exploring Victorian poet Christina Rossetti’s poem (1830-1894) “Goblin Market” (1862) through psychoanalytical and feminist perspectives. The poem which is an ostensible tale meant to be narrated to children, is actually on a deeper level, a thematically voluminous piece of literature from which a plethora of meanings emerge. What this poem demonstrates, holds true in the contemporary times. The objectives of this paper are to analyze 1) the poem with reference to studying gender as a construct, established by the patriarchal discourses, and also 2) the complexes that an individual might undergo owing to repression. The paper makes use of Luce Irigaray (b. 1930) and Helene Cixous’ (b. 1937) notions of feminism and Freud (1856-1939) and Lacan’s (1901-1981) theories of psychoanalysis. After explaining the relevant theory, the researchers aim to apply it to “Goblin Market” in order to compare and contrast the poem from the two said perspectives. Feminism helps in deconstructing the patriarchal overtones and power relationships whereas psychoanalysis enables the readers to understand the complexes and experiences that individuals undergo owing to their psychological make-up.
克里斯蒂娜-罗塞蒂《妖精市场》中的心理化妆与性别建构
本文旨在从精神分析和女性主义的角度探讨维多利亚时期诗人克里斯蒂娜-罗塞蒂(1830-1894 年)的诗作《妖精市场》(1862 年)。这首诗表面上是一个为儿童讲述的故事,实际上在更深层次上是一部主题丰富的文学作品,其中蕴含着大量的意义。这首诗所展示的内容在当代依然适用。本文旨在分析:1)这首诗是如何将性别作为父权制话语所建立的一种建构来研究的;2)个人因压抑而可能产生的情结。本文借鉴了 Luce Irigaray(生于 1930 年)和 Helene Cixous(生于 1937 年)的女性主义观念以及弗洛伊德(1856-1939 年)和拉康(1901-1981 年)的精神分析理论。在解释了相关理论后,研究人员旨在将其应用于《妖精市场》,以便从上述两个角度对这首诗进行比较和对比。女性主义有助于解构父权色彩和权力关系,而精神分析则能让读者理解个人因心理构成而产生的复杂情绪和经历。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Literary Voice
Literary Voice LITERARY THEORY & CRITICISM-
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