Reimagining Circe: Subversion of Patriarchal Mythic Patterns in Louise Gluck’s Circe’s Power

IF 0.1 0 LITERARY THEORY & CRITICISM
Sandhra Sunny, Dr Sharmila Narayana
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Abstract

Myths rooted in patriarchal ideologies subordinate women and distort female experiences. They are laden with stereotypes and gendered representations. This raised a significant concern among feminist scholars to critically challenge narratives entrenched in patriarchal thought and carve new mythological grounds for women. Feminist writers have employed revisionist mythmaking strategies to articulate dissent and denounce myths that annihilate their experiences. The paper examines the revisionist strategies employed by Louise Gluck in her poem Circe’s Power (1996)from the collection Meadowlands (I996) using a feminist lens. The focus is on how Gluck reclaims and transforms the mythical landscape of the Odyssey, turning it into an empowered feminine space, thereby creating powerful connections between women and mythology. It pays close attention to the Greek character Circe from the Odyssey and explores how the poet appropriates her voice to subvert phallocentric mythic models, critiquing social expectations and genderroles. The study's central focus is restoring Circe from the ruins of being trapped in her traditional archetypal role of the femme fatale.
重塑茜茜:路易丝-格鲁克的《西尔塞的力量》中对父权神话模式的颠覆
植根于父权意识形态的神话使妇女处于从属地位,并扭曲了女性的经历。它们充满了陈规定型观念和性别表述。这引起了女权主义学者的极大关注,她们要批判性地挑战父权思想中根深蒂固的叙事,并为女性创造新的神话基础。女权主义作家采用了修正主义的神话创造策略来表达异议,并谴责那些抹杀她们经历的神话。本文以女性主义视角审视了路易丝-格鲁克(Louise Gluck)在其诗集《草原》(Meadowlands,1996 年)中的诗歌《西尔塞的力量》(Circe's Power,1996 年)中所采用的修正主义策略。重点是格鲁克如何重新认识和改造《奥德赛》中的神话景观,将其转化为一个充满力量的女性空间,从而在女性与神话之间建立起强有力的联系。研究密切关注《奥德赛》中的希腊人物西尔塞,探讨诗人如何利用她的声音来颠覆以男性为中心的神话模式,批判社会期望和性别角色。本研究的核心重点是将西尔茜从被困在传统原型女性角色的废墟中解救出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Literary Voice
Literary Voice LITERARY THEORY & CRITICISM-
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