The Aesthetic Interpretation of Musical Text in Romantic Opera Productions

Adnan Khalaf Sahi
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Abstract

The musical text introduces several implicit and performance-related concepts connected to the dramatic elements of operatic presentations. This necessitates exploration to uncover hidden layers within this fundamental dramatic element in opera productions. The researcher aims to subject the musical text to the process of aesthetic interpretation, considering it as an effective interpretive tool in investigating and deciphering undisclosed codes to extract implicit meanings within its general performance contexts in opera. The study is structured across four chapters: the first chapter outlines the methodological framework, presenting the research problem, objectives, and defining key terms in the title. The second chapter delves into the theoretical framework, addressing two main themes: the concept of aesthetic interpretation in musical text and a conceptual reading of the musical text in some Romantic Opera productions. Moving on to the third chapter, the researcher discusses the procedures, defining the research community, justifications for choosing the research topic, specifying the research methodology, and constructing the analysis tool in alignment with the research's objectives and requirements. Finally, the fourth chapter presents some results and conclusions related to the research titled:"The Aesthetic Interpretation of Musical Text in Romantic Opera Productions – Don Giovanni Opera as a Case Study."
浪漫主义歌剧制作中对音乐文本的美学诠释
音乐文本介绍了与歌剧表演中的戏剧元素相关的几个隐含的、与表演有关的概念。这就需要进行探索,以揭示歌剧制作中这一基本戏剧元素的隐藏层次。研究者旨在对音乐文本进行美学阐释,将其视为一种有效的阐释工具,用于调查和破译未公开的代码,以提取其在歌剧一般表演语境中的隐含意义。本研究的结构分为四章:第一章概述了研究方法框架,提出了研究问题和目标,并定义了标题中的关键术语。第二章深入探讨理论框架,涉及两大主题:音乐文本中的美学阐释概念和一些浪漫主义歌剧作品中的音乐文本概念解读。在第三章中,研究者讨论了研究程序、研究群体的界定、选择研究课题的理由、研究方法的具体化,以及根据研究目标和要求构建分析工具。最后,第四章介绍了与题为 "浪漫主义歌剧制作中音乐文本的美学诠释--以《唐璜》歌剧为例 "的研究相关的一些结果和结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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