Russian Musical Jargon as an Object of Linguistic Study

Vladimir Karasik, Czelun' Hao
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Abstract

e paper deals with Russian musical jargon treated as a professional sociolect of musicians. The material has been taken from the data presented in the Internet. Stylistically, musical jargon belongs to a colloquial register of the Russian language. A thematic classification of Russian musical jargon has been offered. This class of words and expressions may be subdivided into two unequal groups – specialized and non-specialized jargon units. The former comprises units reflecting the sphere of musical performance whereas the latter refer to various spheres of everyday life. Specialized musical jargon group is subdivided into three subgroups – nominations of subjects, objects and ways of musical performance. Nomination technique of the jargon described includes occasional affixal word formation, word composition, metaphorical transference, borrowings (mainly from the English language), dialectal and dated words, and onomatopoeia. Transference of musical notions into various sphere of reality is also a feature of the jargon described.
作为语言学研究对象的俄罗斯音乐术语
本文论述了作为音乐家专业社会语言的俄语音乐术语。材料来自互联网上的数据。从文体上讲,音乐术语属于俄语的口语范畴。我们对俄语音乐术语进行了专题分类。这一类词汇和表达方式可细分为两个不平等的群体--专业术语单元和非专业术语单元。前者包括反映音乐表演领域的单元,而后者则涉及日常生活的各个领域。专业音乐术语组又分为三个子组--音乐表演的主体、客体和方式的命名。所述行话的命名技巧包括偶然的词缀组词、构词法、隐喻转喻、借词(主要是从英语中借用)、方言和年代词以及拟声词。将音乐概念转换到各种现实领域也是所述行话的一个特点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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