The Dynamic Cohesion Of Idea And Aesthetics: Multi­layered Narrative Of Tolstoy’s Resurrection

Sangryong Lee
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Abstract

Tolstoy’s Resurrection is the dynamic cohesion of aesthetic narrative and philosophical hypothesis. He delineates the process of Nekhludov building up identity and fundamental transformation of his conceptualization in various terms of multi­layered narratives. Tolstoy describes the panorama of long spiritual wandering caused by two different selves’ never­ending conflicts from the standpoint of lyrical aesthetics. Based on different criteria for literary purposefulness and aesthetics, critics bring about extremely opposite evaluations on this work. Despite of heated arguments, it seems to be very refreshing that Tolstoy’s creative attempt to put together ideas and aesthetics cohesively. On top of that, he tries to merge together literary themes and social reformative thoughts, and it is well established. In this masterpiece, Tolstoy strives to make elaborate analysis of Nekhludov. The fable of ‘Buridan’s donkey’ epitomizes his real characterization. This rhetoric properly symbolizes Nekhludov’s essential personality, which shows his indecisiveness not making final decision with self­autonomy between two equal values for his own destination. Looking forward to the following stage, Nekhludov still can not bring up strong confidence in his capability and authenticity. Tolstoy delineates ‘allegory of the river’, through which he figuratively suggests Nekhludove ultimately comes up with his true identity, exerting himself to fulfill his inborn values and gifted talents. In the process, Nekhludov lays out well articulated criticisms on absurdity of given circumstances and irrationality of administrative systems. During this process, he is criticized as a dreaming anarchist, but never distracted on his way to his purpose­driven journey, closely influenced by Henry Thoreau’s hypothesis ‘good soul’s prison’. He keeps on revealing permeated falsehood and hypocrisy in social system with his full swing effort and reformative will. In so doing, unconsciously he redeems himself with well­deserved sound belief in him, then, he achieves his resurrection with his own individual self­autonomy and willingness.
思想与美学的动态凝聚:托尔斯泰复活的多层叙事
托尔斯泰的《复活》是美学叙事和哲学假设的动态凝聚。他用多层次叙事的各种术语勾勒出涅赫鲁多夫建立身份的过程及其观念的根本转变。托尔斯泰从抒情美学的角度描述了两个不同的自我无休止的冲突所导致的长期精神流浪的全景。基于不同的文学目的性和美学标准,评论家们对这部作品的评价截然相反。尽管争论激烈,但托尔斯泰将思想与美学有机结合的创作尝试似乎令人耳目一新。此外,他还试图将文学主题与社会改革思想融合在一起,这也是有目共睹的。在这部杰作中,托尔斯泰努力对涅赫鲁多夫进行了细致的分析。布里丹的驴子》这则寓言是他真实性格的缩影。这则修辞恰当地象征了涅赫留朵夫的基本性格,表现了他在两种同等价值之间优柔寡断,不能自主地为自己的归宿做出最后决定。展望下一阶段,涅赫留朵夫仍然无法对自己的能力和真实性产生强烈的信心。托尔斯泰描绘了 "河流的寓言",通过它形象地暗示了涅赫鲁多夫最终找到了自己的真实身份,努力实现自己与生俱来的价值和天赋。在这一过程中,涅赫鲁多夫对特定环境的荒谬性和行政制度的不合理性提出了言之凿凿的批评。在这一过程中,他被批判为一个梦想的无政府主义者,但在亨利-梭罗提出的 "美好灵魂的监狱 "这一假设的影响下,他在实现目标的道路上从未分心。他以全力以赴的努力和改革的意志,不断揭示社会制度中渗透的虚假和伪善。在此过程中,他不自觉地以当之无愧的正确信念来救赎自己,然后,他以个人的自主性和意愿实现了自己的复活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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