Exploring Everything, Everywhere, All at Once in the Deleuzean Light of Pure Becoming and Affect

Jae-seong Lee
{"title":"Exploring Everything, Everywhere, All at Once in the Deleuzean Light of Pure Becoming and Affect","authors":"Jae-seong Lee","doi":"10.19116/theory.2024.29.1.261","DOIUrl":null,"url":null,"abstract":"The film Everything, Everywhere, All at Once, which received tremendous praise and won seven Oscars at the 95th Academy Awards, offers an expansive exploration of science fiction, comedy, and a profound investigation into love. This movie goes beyond the typical SF and family drama genres, providing audiences with a reflective experience that encourages a deeper exploration of life’s facets. Centering on family ego conflicts and set against a multiverse backdrop, it challenges the binary concepts of morality. \nThis paper endeavors to understand true love and identity through “ethical deconstruction” and “postmodern ethics,” particularly employing Gilles Deleuze and Félix Guattari’s concepts of “becoming” and “virtuality,” along with thought from Emmanuel Levinas and the issue of the sublime. The story begins with the dissatisfaction of the Wang family and follows their journey across multiple universes, unveiling the complexities of identity and choice. The work is explained through Deleuze and Guattari’s concept of “becoming,” symbolized by a circular motif representing an endless dynamic process. The narrative emphasizes Evelyn’s transformative journey, challenging the fixed notions of good and evil, and aligns with Deleuze’s transcendental empiricism. Her experiences across universes represent not just shifts in identity but the embodiment of Haecceity, the unique essence of each moment. The film’s narrative is interpreted to showcase the concept of “pure becoming,” emphasizing the transformative role of emotions and experiences beyond moral binaries, inviting viewers to participate in a journey of becoming that leads to empathy and understanding. Exploring Everything, Everywhere, All at Once through Deleuze and Guattari’s philosophies in this way highlights the film’s distinctiveness in exploring identity, love, and existence, allowing viewers to deeply understand and feel moved on an emotional and spiritual level.","PeriodicalId":409687,"journal":{"name":"The Criticism and Theory Society of Korea","volume":"24 51","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Criticism and Theory Society of Korea","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19116/theory.2024.29.1.261","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The film Everything, Everywhere, All at Once, which received tremendous praise and won seven Oscars at the 95th Academy Awards, offers an expansive exploration of science fiction, comedy, and a profound investigation into love. This movie goes beyond the typical SF and family drama genres, providing audiences with a reflective experience that encourages a deeper exploration of life’s facets. Centering on family ego conflicts and set against a multiverse backdrop, it challenges the binary concepts of morality. This paper endeavors to understand true love and identity through “ethical deconstruction” and “postmodern ethics,” particularly employing Gilles Deleuze and Félix Guattari’s concepts of “becoming” and “virtuality,” along with thought from Emmanuel Levinas and the issue of the sublime. The story begins with the dissatisfaction of the Wang family and follows their journey across multiple universes, unveiling the complexities of identity and choice. The work is explained through Deleuze and Guattari’s concept of “becoming,” symbolized by a circular motif representing an endless dynamic process. The narrative emphasizes Evelyn’s transformative journey, challenging the fixed notions of good and evil, and aligns with Deleuze’s transcendental empiricism. Her experiences across universes represent not just shifts in identity but the embodiment of Haecceity, the unique essence of each moment. The film’s narrative is interpreted to showcase the concept of “pure becoming,” emphasizing the transformative role of emotions and experiences beyond moral binaries, inviting viewers to participate in a journey of becoming that leads to empathy and understanding. Exploring Everything, Everywhere, All at Once through Deleuze and Guattari’s philosophies in this way highlights the film’s distinctiveness in exploring identity, love, and existence, allowing viewers to deeply understand and feel moved on an emotional and spiritual level.
在德勒兹的纯粹 "成为 "与 "影响 "之光中探索万事万物,无处不在,一气呵成
在第 95 届奥斯卡金像奖上获得七项奥斯卡奖的电影《万物生长》(Everything, Everywhere, All at Once),以科幻、喜剧和对爱的深刻探索为题材,获得了巨大的赞誉。这部电影超越了典型的科幻片和家庭剧的类型,为观众提供了一种反思的体验,鼓励人们对生活的方方面面进行更深入的探索。影片以家庭自我冲突为中心,以多元宇宙为背景,挑战了二元对立的道德观念。本文试图通过 "伦理解构 "和 "后现代伦理",特别是吉尔-德勒兹和费利克斯-瓜塔里的 "成为 "和 "虚拟性 "概念,以及伊曼纽尔-列维纳斯的思想和崇高问题,来理解真爱和身份认同。故事从王家人的不满开始,讲述了他们穿越多个宇宙的旅程,揭示了身份和选择的复杂性。作品通过德勒兹和瓜塔里的 "成为 "概念进行阐释,圆形图案象征着一个无尽的动态过程。作品的叙事强调了伊芙琳的转变之旅,挑战了固定的善恶观念,与德勒兹的超越经验主义不谋而合。她跨越宇宙的经历代表的不仅是身份的转变,而且是 Haecceity 的体现,即每一时刻的独特本质。影片的叙事方式诠释了 "纯粹成为 "的概念,强调了情感和超越道德二元对立的体验所起的转化作用,邀请观众参与成为的旅程,从而产生共鸣和理解。以这种方式通过德勒兹和瓜塔里的哲学思想来探索《万物,无处不在,同时进行》,凸显了影片在探索身份、爱和存在方面的独特性,让观众在情感和精神层面上深刻理解并感受到感动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信