For a New Form of Forest Living in Future Literature

Sooshilla Gopaul
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Abstract

Building on Arjun Appadurai’s scheme of the imagined world of scapes, I propose an entry into his ethnoscape to foster a new form of forest living in literature. Appadurai’s ethnoscape, just like his technoscape, can be physically present as different enterprises in different parts of the planet Earth but they all form one entity. Similarly, we may have forests in different parts of the world but they can be considered as one entity. I put forward the idea that in a new form of forest literature, we use acquired knowledge and experience but also devise new strategies. Thus, we will not repeat mistakes the Anthropocene has committed but use what it has achieved so far. In this paper, I refrain from using a messianic approach.  Basing myself on the trend that 21st-century Literature is taking I suggest: first that Magic Realism be brought in; secondly, we retrieve Goddess Aranyani from the Rig Veda and the mood of experiencing the joys of expectancy from the Mullai forest found in Sangam literature; thirdly, as a new element, we weave in the principle of homeostasis in nature. As far as perspectives are concerned I recommend the cosmopolitan ones with strong undertones of the personal voice as used by the two recent Nobel Prize Winners for literature. I bring in   Jojo Moyes’s novel The Giver of Stars to support my plea for a new form of the forest living in literature.
未来文学中的森林生活新形式
基于阿琼-阿帕杜赖(Arjun Appadurai)的想象世界景观计划,我建议进入他的民族景观,在文学中培养一种新的森林生活形式。阿帕杜赖的民族景观,就像他的技术景观一样,可以在地球的不同地方以不同企业的形式存在,但它们都是一个整体。同样,我们可能在世界不同地区拥有森林,但它们可以被视为一个整体。我提出的观点是,在新形式的森林文学中,我们既要利用已获得的知识和经验,也要制定新的战略。因此,我们不会重复人类世所犯的错误,而是利用人类世迄今为止所取得的成就。在本文中,我避免使用救世主式的方法。 基于 21 世纪文学的发展趋势,我建议:首先,引入魔幻现实主义;其次,我们从梨俱吠陀经中找回阿兰雅尼女神,从桑伽姆文学中找回体验穆莱森林期待之乐的情绪;第三,作为一个新元素,我们编织自然中的平衡原则。就视角而言,我推荐最近两位诺贝尔文学奖得主所使用的具有强烈个人声音色彩的世界性视角。我引用乔乔-莫耶斯的小说《星之赐予者》来支持我对文学中森林生活新形式的诉求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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