Cultural and creative industries and theatre praxis in a digital epoch

Okhaifo Phillandar Eseigbe
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Abstract

Culture is closely related to civilization and all observable civilizations are derived from one form of culture to the other. The cultural and creative industries (CCIs) usually takes advantage of the vast cultural heritage of a given people as sources of inspiration for their artistic enterprise to thrive. At the heart of creativity in every pluralist society is culture. This is evident in countries like Nigeria, Ghana, South Africa, among others, where the cultural market offer muse for artists. This paper examines the ways through which the creative industry can tap from the rich resources inherent in the cultural market. It uses the Concept of Cultural and Creative Industries as a theoretical anchor to argue that the CCIs are valuable assets capable of instituting development ethos which can move a state from nationhood to civilization. The study gets its data from the instrumentality of documentary observation a la desk review of books, journals and other bibliotheca. It concludes that the theatre possess the innate ability to make Nigeria relevant in terms of soft power diplomacy in world politics and development.
数字时代的文化创意产业和戏剧实践
文化与文明密切相关,所有可见的文明都是从一种文化形式衍生到另一种文化形式的。文化和创意产业(CCIs)通常利用特定民族的大量文化遗产作为其艺术事业蓬勃发展的灵感源泉。文化是每个多元化社会创造力的核心。这一点在尼日利亚、加纳、南非等国都很明显,这些国家的文化市场为艺术家提供了缪斯女神。本文探讨了创意产业如何利用文化市场固有的丰富资源。本文以 "文化和创意产业概念 "为理论基础,论证了文化和创意产业是一种宝贵的资产,能够形成一种发展理念,推动一个国家从民族走向文明。本研究通过文献观察以及对书籍、期刊和其他文献的案头审查获得数据。研究得出的结论是,剧院拥有与生俱来的能力,可以使尼日利亚在世界政治和发展中发挥软实力外交的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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