The importance of "factory-workshops" in the activities of individual representatives of Lviv architects and sculptors milieu in the 1730s and 1760s.

Орест Лильо
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Abstract

The purpose of the article is to study the organization and activities of professional associations of Lviv architects and sculptors, known in the sources as "factory(fabryky)-workshops", during the construction and sculptural decoration of sacred and secular buildings in Lviv and outside its borders in the 1730-s – 1760-s. The methodology of the research is based on the principle of objectivity and historicism, a systematic approach to the study of historical-artistic and socio-economic phenomena in their development and interrelationships. The use of methods of analysis and synthesis, problem-thematic, descriptive and historical-chronological approach made it possible to optimally solve the research task. The scientific novelty of the research involves the description of the activity and internal organization of the factory-workshops of Lviv architects and sculptors during the construction and sculptural decoration of objects of a secular and sacred nature, the importance of the factory-workshops of Lviv artists in obtaining profitable orders, as well as in confrontation with the city corporation. Conclusions. In the professional activity of Lviv architects and sculptors, a significant role was played by the process of organizing the most qualified workers around them into professional associations, which are known in the sources as "factory-workshops". Thanks to them, artists got the opportunity to control most of the orders when creating objects of a secular and sacred nature in the city and beyond. This, in turn, caused a confrontation with the city corporation. Free craftsmen managed to win a number of victories over the corporation on a legal basis thanks to the support of influential patrons, magnate families, representatives of the higher clergy, as well as royal privileges that exempted artists from the claims of the corporation and city authorities.
工厂车间 "在 17 世纪 30 年代和 60 年代利沃夫建筑师和雕塑家代表个人活动中的重要性。
文章的目的是研究 1730 年代至 1760 年代利沃夫市及其周边地区圣俗建筑的建造和雕塑装饰期间,利沃夫市建筑师和雕塑家专业协会(资料中称为 "工厂(fabryky)-车间")的组织和活动。研究方法以客观性和历史主义原则为基础,系统研究历史艺术和社会经济现象的发展及其相互关系。分析和综合方法、问题-主题方法、描述性方法和历史-时间顺序方法的使用使研究任务得到了最佳解决。研究的科学新颖性在于描述了利沃夫建筑师和雕塑家的工厂车间在建造和雕塑装饰世俗和神圣物品时的活动和内部组织,以及利沃夫艺术家的工厂车间在获得盈利订单和与城市公司对抗时的重要性。结论在利沃夫建筑师和雕塑家的职业活动中,将他们周围最有资质的工人组织到职业协会(资料中称之为 "工厂车间")的过程发挥了重要作用。有了这些协会,艺术家们在创作城市内外的世俗和神圣物品时,就有机会控制大部分订单。这反过来又引起了与城市公司的对抗。自由工匠们在有影响力的赞助人、巨头家族、高级神职人员代表的支持下,以及皇室特权的保护下,成功地在法律基础上战胜了公司。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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