Marketing of art spaces: essence, characteristics, prospects

P. Tazov
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引用次数: 0

Abstract

The article studies the peculiarities of promoting art spaces as significant social and cultural objects that act as a locomotive for territorial development, attracting tourists and involving the population in cultural activities. Theoretical approaches to the marketing of art objects and art industry have been analyzed. The key functions of art spaces have been studied. It is proved that art spaces marketing has a more complex structure due to the promotion object multifunctionality than art objects marketing. The author’s art space marketing communication model has been proposed. It is based on the art spaces functions for visitors, sponsors, partners, and government agencies. This model allows differentiating targeted marketing communications for each audience, based on the functions and needs of target groups and partners. Unlike art marketing, art spaces marketing implies a complex communication with target audiences, which includes historical social and cultural, territorial, tourist, socialization, and other aspects of art space. The article substantiates the position that art space cannot be only a commercial project, but due to its social and cultural aspects should perform socialization tasks for young people. Hence, there is a need for legal regulation of art spaces in the public-private partnership framework. This requirement introduces its own adjustments in the marketing communications construction.
艺术空间的营销:本质、特点和前景
文章研究了将艺术空间作为重要的社会和文化对象进行推广的特殊性,这些艺术空间是地区发展的火车头,吸引着游客,并使人们参与到文化活动中。文章分析了艺术品和艺术产业营销的理论方法。研究了艺术空间的主要功能。事实证明,由于推广对象的多功能性,艺术空间营销的结构比艺术品营销更为复杂。作者提出了艺术空间营销传播模型。该模型基于艺术空间对游客、赞助商、合作伙伴和政府机构的功能。这一模式可以根据目标群体和合作伙伴的功能和需求,为不同的受众提供有针对性的营销传播。与艺术营销不同,艺术空间营销意味着与目标受众的复杂沟通,其中包括艺术空间的历史、社会和文化、地域、旅游、社交和其他方面。文章证实了艺术空间不能仅仅是一个商业项目的立场,由于其社会和文化方面的原因,艺术空间应承担起年轻人的社会化任务。因此,有必要在公私合作框架内对艺术空间进行法律规范。这一要求在营销传播建设中引入了自身的调整。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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